Hell Hole

Hell Hole


John Sloan

(American, 1871-1951)

Etching and aquatint

Platemark: 20.1 x 24.9 cm (7 15/16 x 9 13/16 in.); Sheet: 27.5 x 33.7 cm (10 13/16 x 13 1/4 in.)

Gift of Ralph King 1926.123

Catalogue raisonné: Morse 186

State: II/II


Did you know?

The Golden Swan, or Hell Hole bar, depicted here, was the inspiration for the saloon in the Eugene O’Neill’s play The Iceman Cometh,written in 1939.


The Golden Swan bar, nicknamed the Hell Hole, was a gathering place for the Ashcan artists, writers, and intellectuals in Manhattan’s Greenwich Village. John Sloan’s etching shows the back room of the establishment, which allowed female patrons and was patrolled by the bouncers known as Lefty Louis and John Bull, seen at the doorway. The cheerful clientele enjoy alcohol, intimate conversation, and heavy flirtation. Sloan depicted the playwright Eugene O’Neill at the upper right, whose plays include characters on the fringes of society. Sloan’s use of aquatint, a printmaking technique that creates tone in the image, adds to the smoky atmosphere of the late-night scene.

See also
PR - Etching
Type of artwork: 
Credit line: 
Gift of Ralph King

Contact us

The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email imageservices@clevelandart.org.