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Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Part of a set. See all set records

Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu

Covers: Gum tempera, colors, and paper on wood; pages: gum tempera and ink on palm leaves

Covers overall: 6.5 x 57 x 1.5 cm (2 9/16 x 22 7/16 x 9/16 in.)

Purchase from the J. H. Wade Fund 1938.301.b

Location

not on view

Did you know?

The Five Tathagatas could be the source of visions that would help Buddhist practitioners on the path to enlightenment.

Description

The inner side of the top cover is fully painted with images of the Five Cosmic Buddhas of Esoteric Buddhism. Each one has a different color, meaningful hand gesture, and is associated with a spatial direction. In the center is the white Vairochana holding his hands in the enlightenment mudra. On either side of the binding holes are the other four Cosmic Buddhas Akshobyha (blue, earth-touching mudra, east) and Amitabha (red, meditation mudra, west), and on the ends are Ratnasambhava (gold, gift-giving mudra, south) and Amoghasiddhi (green, fear-not mudra, north). The top side is covered with ritual materials indicating that this book was once an object of worship.

Provenance

?–1938

(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)

1938–

The Cleveland Museum of Art, Cleveland, OH

Citations

Kramrisch, Stella. The Art of Nepal. New York: The Asia Society/Abrams, 1964. Reproduced: Figure 77, p. 103; mentioned: cat. no. 77a and 77b, pp. 43 and 144.

Lee, Sherman E. A History of Far Eastern Art. New York: H. N. Abrams, 1994. 5th edition. Reproduced: color plate 10, p. 202; mentioned: p.134.

Hickmann, Regina, Heinz Mode, and Siegfried Mahn. Miniaturen, Volks- und Gegenwartskunst Indiens. Leipzig: E.A. Seemann Buch und Kunstverlag, 1975. Reproduced: Figure 1; mentioned: p.14.

Pal, Pratapaditya. The Arts of Nepal, Part II: Painting. Leiden: E.J. Brill, 1978. Mentioned: p. 32, reproduced: fig. 11.

Meahl, Katherine. 2004. “Influence néware dans la peinture tibétaine entre le XIe et le XIVe siècle.” Dossiers d’Archéologie 293 (2004): 86–91. Reproduced: 87; mentioned: p. 86.

Kim, Jinah. Garland of Visions: Color, Tantra, and a Material History of Indian Painting. Oakland, University of California Press, 2021. Reproduced: Figure 2.3, p. 66; Mentioned: pp. 64-65.

Hollis, Howard. "A Nepalese Manuscript." The Bulletin of the Cleveland Museum of Art 26, no. 3 (1939): 31-33. Mentioned: pp. 31–33. www.jstor.org

Lee, Sherman E. Buddhist Art. Detroit Institute of Arts, Twenty-Fourth Loan Exhibition, October, 1942. Detroit: Detroit Institute of Arts, 1942. Mentioned: cat. no. 24, p. 24; Reproduced: cat. no. 24, p. 47.

The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 754. archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 233. archive.org

Marcus, Margaret F. “Sculptures from Bihar and Bengal.” The Bulletin of the Cleveland Museum of Art 54, no. 8 (1967): pp. 240–262. Mentioned: p. 253, fig. 11; Reproduced: p. 252. www.jstor.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 233. archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 296. archive.org

Kim, Jinah. "Painted Palm-Leaf Manuscripts and the Art of the Book in Medieval South Asia." Archives of Asian Art 65, no. 1 & 2 (2015). Mentioned: pp. 57-86; Reproduced: p. 62, fig.5; p. 63, fig. 6 & 7.

O’Mara, Reed. “‘On Golden Tablets’: The Cleveland Museum of Art’s Aṣṭasāhasrikā Prajñāpāramitā Manuscript as a Self-Referential Icon.” Religions 11, no. 274 (2020): 1-19. Reproduced: Figures 11, 12, and 15, p. 9 and 14. www.mdpi.com

Exhibition history

Buddhist Art. Detroit Institute of Arts, Twenty-Fourth Loan Exhibition, October, 1942. Institute of Arts, Detroit, MI (October 1942).

Cite this page

{{cite web|title=Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)|url=https://clevelandart.org/art/1938.301.b|year=Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)|access-date=03 June 2023|publisher=Cleveland Museum of Art}}

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Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu

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