Medicine Master Buddha and the Twelve Divine Generals

薬師如来及び十二神将像

1200s
Image: 151.2 x 84.1 cm (59 1/2 x 33 1/8 in.); Overall: 261 x 106.6 cm (102 3/4 x 41 15/16 in.); with knobs: 261 x 113.3 cm (102 3/4 x 44 5/8 in.)
Location: not on view
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Did You Know?

Each of the Divine Generals has an identifying zodiac animal in his hair or headdress.

Description

From the 700s, people in Japan began praying to the Medicine Master Buddha (Yakushi Nyorai) for longevity. Yakushi is at the center of this image, flanked by the bodhisattvas of the sun and moon, Nikkō and Gakkō. The Twelve Divine Generals, a group of protective deities, surround him. Yakushi sits in a meditative pose with his right hand in a gesture bestowing fearlessness while his left hand holds a medicine jar. In the upper part of the painting, rectangles simulating decorative paper inscription slips contain excerpts from a sacred text about Yakushi, in which he asks that sick people who speak his name should become well and that all who hear his name might have their purity restored.
Medicine Master Buddha and the Twelve Divine Generals

Medicine Master Buddha and the Twelve Divine Generals

1200s

Japan, Kamakura period (1185–1333)

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Hokusai: 36 Views of Mount Fuji
Hokusai: 36 Views of Mount Fuji
by Amelie Balcou Hokusai’s beloved series of woodblock prints is now available in a stunning new format that honors the Japanese bookmaking tradition and illuminates the artist’s radiant colors and exquisite lines. Hokusai’s series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful, boxed accordion- fold edition comprises the full set of forty-six prints (the original thirty-six and ten more that were completed later) and features a luxurious silken binding along with a separate explanatory booklet. The book and booklet are packaged in an elegant slipcase. Devoted entirely to landscapes, Hokusai’s series shows Mount Fuji from various viewpoints, framed in different ways. An indefatigable traveler who was passionate about nature, Hokusai explored every vantage point and season at the volcano. He presented it both as a solitary and majestic snow-capped peak and as a smaller object on a distant horizon. Hokusai also portrayed the mountain as an element in Japanese daily life and as an imposing force of nature that can be peaceful and beneficent, or ferocious and unforgiving. These impeccably reproduced prints invite readers to examine Hokusai’s virtuosic use of color and composition, his talent for contrasting perspectives, and his interest in the dueling roles of man and nature. An exquisite objet d’art, this volume is the perfect vehicle for appreciating Hokusai’s crowning achievement in all its lasting and subtle beauty. 138 pages Published 2019

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