Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection 1939.291
In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolor and ink wash.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.