Overall: 65 x 42.6 cm (25 9/16 x 16 3/4 in.)
Edward L. Whittemore Fund 1950.9
Re the two engravers of the tombstone, Ubaydallah Murra and Umar:
More work survives of these two artisans than any other single artisan working in Yazd during the twelfth century and there are only three other collaborative efforts on twelfth century mijrabs/tombstones of the Yazd area out of a total number of eighteen signed pieces.
Source: Letter from Paul E. Chevedden, 7/6/1981
Internal Object File
Arabic calligraphy, the supreme art form in the Islamic world, enhances this tombstone. The elegant Arabic script embellished with leaf tendrils at the top of the tall letters is called floriated Kufic. Verses about paradise from the holy Koran border the central arch-shaped niche that resembles a mosque's mihrab, located in the wall closest to the holy city of Mecca. The name of the deceased and the year of his death are recorded within the niche above the names of the carvers: "The work of Abaidallah Murra(?) and 'Umar(?)." The inscriptions from the Koran translate as follows: Outer border (read from right to left): "In the name of God, the Merciful, the Compassionate. Every soul shall taste of death; and ye shall only receive your recompenses on the Day of Resurrection. And who so shall escape the fire, and be brought into Paradise, shall be happy And the life [of this world is but a cheating fruition]" (3:185). Inner border: "In the name of God, the Merciful, the Compassionate. But as for those who say, 'Our Lord is God'; and who go straight to Him, the Angels shall descend to them and say 'Fear ye not, neither be ye grieved, but rejoice ye in the Paradise which ye have been [promised]'" (41:30).
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