c. 1915-1955
(Japanese, 1891-1955)
Woodcut
Norman O. Stone and Ella A. Stone Memorial Fund 1959.240
Kōshirō Onchi was a key figure in the sōsaku-hanga movement. He not only provided essential aesthetic and spiritual leadership, but his aristocratic background made him a forceful advocate of printmaking within the hostile bureaucracy of Japan's hierarchical art world. Onchi admired the nonobjective images of Russian artist Wassily Kandinsky and the Expressionist style of the Norwegian artist Edvard Munch, whose works shared a kinship with his own interests in the expressive power of nonrepresentational and abstracted figural compositions as well as color. Onchi was particularly attracted to the medium of woodcut in which he felt he was forced to simplify his forms and thus intensify the expression of his emotion while cutting, gouging, and scraping the image into the block.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email imageservices@clevelandart.org.