Thirty-Six Poetic Immortals


mid 1700s

attributed to Tatebayashi Kagei 立林何帠

(Japanese, active mid-1700s)
Image: 170 x 182.8 cm (66 15/16 x 71 15/16 in.); Overall: 174.4 x 187.2 cm (68 11/16 x 73 11/16 in.); Closed: 94 x 4 cm (37 x 1 9/16 in.)
Location: not on view
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Did You Know?

The green surface edged with stripes at the upper left of the painting represents tatami matting with a silk border.


Fujiwara no Kintō (996–1075), a Japanese courtier, scholar, and poet, compiled select examples by the most celebrated composers of 31-syllable poems (waka) from the 600s to the 1000s. Painters soon made these “thirty-six poetic immortals” a favorite subject, traditionally presenting the poets in sequential, idealized portraits paired with their poems. In this interpretation, a chronologically impossible gathering of these great talents is in progress. The screen’s composition follows one devised by design virtuoso Ogata Kōrin (1658–1716).
Thirty-Six Poetic Immortals

Thirty-Six Poetic Immortals

mid 1700s

Tatebayashi Kagei

(Japanese, active mid-1700s)
Japan, Edo period (1615–1868)

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