Artwork Page for Eight Views of the Xiao and Xiang Rivers

Details / Information for Eight Views of the Xiao and Xiang Rivers

Eight Views of the Xiao and Xiang Rivers

1700s
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(Japanese, 1683–1755)
Measurements
Image: 150 x 356 cm (59 1/16 x 140 3/16 in.); Overall: 170 x 376 cm (66 15/16 x 148 1/16 in.)
Public Domain
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Location
Not on view
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Did You Know?

This screen forms a pair with CMA 1968.267.

Description

Watanabe Shiko enjoyed a versatile and successful career, as well as a privileged upbringing, in Kyoto. His surviving work indicates a capacity to diligently study, master, and then interpret several painting techniques—each of which varies considerably in appearance. These byobu (folding screens), for instance, reflect training in the Kano school idiom that favored a monochromatic ink palette, vigorous brushwork, and traditional Chinese—rather than Japanese—subject matter. Shiko rendered this scenery in a particularly expansive manner, suggesting the vastness of China's topography relative to Japan's. Frequent visitors to the museum will recall that Shiko also painted the collection's favored pair of byobu, the Irises (CMA 1954.603).
A six-panel folding screen depicts a misty landscape in shades of gray and black on a tan background. To the left, houses and a pagoda nestle below undulating mountains shrouded in haze. A large, craggy rock and gnarled pine tree dominate the center foreground. To the right, a small boat floats on a wide, hazy body of water near faint islands. Vertical calligraphy and a red seal mark the far left panel.

Eight Views of the Xiao and Xiang Rivers

1700s

Watanabe Shikō

(Japanese, 1683–1755)
Japan, Edo period (1615–1868)

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