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Feb 18, 2010

Xu Jingyang Moving His Family

許旌陽移居圖

1644

Cui Zizhong 崔子忠

(Chinese, 1574-1644)

China, Ming dynasty

(1368–1644)

Hanging scroll; ink and color on silk

Overall: 268.2 x 66 cm (105 9/16 x 26 in.); Painting only: 165.3 x 64 cm (65 1/16 x 25 3/16 in.); Overall with knobs: 268.2 x 74.1 cm (105 9/16 x 29 3/16 in.)

Mr. and Mrs. William H. Marlatt Fund 1961.90

Location

240A Chinese Paintings and Calligraphy

Exhibition

Escaping to a Better World: Eccentrics and Immortals in Chinese Art

Did you know?

Xu Jingyang, wearing red, is in the upper register of figures, while below his servants transport a rooster, dog, and other supplies.

Description

Xu Jingyang was a dedicated fourth-century Confucian official who allegedly turned into a Daoist immortal. This scroll depicts the legend that when he attained immortality, he took his entire household, including chickens and dogs, to paradise.

Cui Zizhong’s painting style intentionally referenced ancient masters. Typical of the pre-Song dynasty landscape tradition, there is the use of blue and green colors and an emphasis on outline rather than texture. While the trembling outlines are reminiscent of earlier painters, the flickering light on rocks and trees is a stylistic feature of Cui’s own time.

Inscriptions

Inscription

Artist's 2 seals: Pei-hai, Cui Zizhong yin.

Inscription

9 additional seals: 2 of Xiang Yuan (18th-19th c.); 1 of Tang Zuomei (late 18th-19th c.); 1 of Zhang Heng 張珩 (1915-1963); 1 of C. C. Wang 王季遷 (1907–2003); 4 unidentified.

Provenance

Tang Yuzhao

Xiang Yuan [18th-19th century]

Tang Zuomei [late 18th-19th century]

Zhang Heng 張珩 [1915-1963]

?-1961

(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art)

1961-

The Cleveland Museum of Art, Cleveland, OH

Citations

Ho, Wai-Kam. “Nan-Ch'en Pei-Ts'ui: Ch'en of the South and Ts'ui of the North.” The Bulletin of the Cleveland Museum of Art, vol. 49, no. 1, 1962, pp. 2–11. Mentioned and Reproduced: pp. 9, 10, figs. 4-6 www.jstor.org

Cahill, James. The Restless Landscape: Chinese Painting of the Late Ming Period. Berkeley: University Art Museum, 1971. cat. no. 76

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 353 archive.org

Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Mentioned and Reproduced: cat. no. 209, pp. 273-274

Suzuki, Kei 鈴木敬. Chūgoku kaiga sōgō zuroku [中國繪畫總合圖錄= Comprehensive Illustrated Catalog of Chinese Paintings], 第1卷. アメリカ·カナダ篇[= vol. 1 American and Canadian collections]. Tōkyō: Tōkyō Daigaku Shuppankai, 1982. Mentioned: p. 285, no. 314

Andrews, Julia Frances. The Significance of Style and Subject Matter in the Painting of Cui Zizhong. PhD dissertation, University of California, Berkeley, 1984. Mentioned and Reproduced: fig. 47, pp. 342-344

Little, Stephen. Realm of the Immortals: Daoism in the Arts of China: the Cleveland Museum of Art, February 10-April 10, 1988. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1988. cat. no. 4, pp. 30-31

Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. Three Thousand Years of Chinese Painting. New Haven: Yale University Press; Beijing: Foreign Languages Press, 1997. Mentioned and Reproduced: p. 241, no. 226

Yang, Kathleen 楊凱琳, and Chi-chʻien Wang 王季遷. Through a Chinese connoisseur's eye: private notes of C.C. Wang 王季遷讀書筆記. Beijing: Zhong hua shu ju, 2010. Mentioned and Reproduced: p. 312, fig. 33

Exhibition history

The Restless landscape: Chinese painting of the Late Ming period. University Art Museum, Berkeley, CA (November 9, 1971-January 2, 1972); Fogg Art Museum, Harvard University, Cambridge, MA (February 12-April 2, 1972).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland OH (July 16-October 28, 2003).

Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland OH (November 21, 2013-July 28, 2014).

Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).

The Restless Landscape: Chinese Painting of the Late Ming Period. University of California, Berkeley. University Art Museum, Berkeley, CA (organizer) (November 9, 1971-January 2, 1972); Fogg Art Museum/Harvard University, Cambridge, MA (February 11-April 2, 1972).

Realm of the Immortals: Daoism in the Arts of China. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-April 10, 1988).

Escaping to a Better World: Eccentrics and Immortals in Chinese Art (Chinese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (May 13-November 6, 2022).

Cite this page

{{cite web|title=Xu Jingyang Moving His Family|url=https://clevelandart.org/art/1961.90|author=Cui Zizhong|year=1644|access-date=12 August 2022|publisher=Cleveland Museum of Art}}

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Xu Jingyang Moving His Family

Xu Jingyang Moving His Family

許旌陽移居圖

Cui Zizhong 崔子忠

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