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Feb 25, 2022

Nov 2, 2011

The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)

c. 1560

Part of a set. See all set records

Mughal India, court of Akbar

(reigned 1556–1605)

Gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.)

Gift of Mrs. A. Dean Perry 1962.279.223.b

Location

not on view

Did you know?

A small cord around the parrot’s legs keeps him anchored to his cage.

Description

On the thirty-fourth of fifty-two nights, Tuti the wise parrot tells Khujasta two fantastical stories. The first is about the daughter of a merchant who was saved from an evil fairy by her many suitors. The second features the daughter of a raja who witnessed the miraculous resurrection of her dead husband and his friend.

Provenance

?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD ¹

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)

1962–

The Cleveland Museum of Art, Cleveland, OH

Provenance Footnotes

¹Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.

Citations

Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79, 135

Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 318 www.jstor.org

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{{cite web|title=The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)|url=https://clevelandart.org/art/1962.279.223.b|year=c. 1560|access-date=02 October 2023|publisher=Cleveland Museum of Art}}

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The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)

Mughal India, court of Akbar

Location

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Description

Provenance Footnotes

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