Artwork Page for The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night

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The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night

c. 1560

Mughal India, court of Akbar

(reigned 1556–1605)
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Medium
gum tempera, ink, and gold on paper
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.)
Credit Line
Gift of Mrs. A. Dean Perry 1962.279.308.b
Public Domain
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Location
Not on view
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Did You Know?

Two black fish are visible in the swirling waters of the ocean.

Description

At the front of the ship, the young man calls out to the Hashimi, who sits beside the weeping slave girl. Despite their love, the destitute young man had been forced to sell the girl. She is overjoyed to see her long-lost lover and begins to sing so beautifully that the birds, fish, and the ocean itself join in the celebration.

The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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