Artwork Page for Aeneas and His Family Fleeing Troy

Details / Information for Aeneas and His Family Fleeing Troy

Aeneas and His Family Fleeing Troy

1595
(Italian, 1557–1602)
(Italian, 1528–1612)
Medium
engraving
Measurements
Platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)
Catalogue raisonné
Bartsch XVIII.99.110
Public Domain
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Location
Not on view

Description

Created at the end of the 1500s, this print stylistically marks the end of Renaissance art. Barocci’s swirling, emotional composition and the intensity of Agostino’s engraved network of lines prefigure the rise of Baroque art in the 1600s. However, ancient legends such as the Trojan War, revived and popularized during the Renaissance, continued to inspire artists for centuries to come. Here, Aeneas carries his elderly father Anchises, who in turn rescues small statues of their household gods while the city of Troy burns. Both acts stress the men’s virtuous dedication to home and family. Aeneas’s young son Ascanius and his wife Creusa flee with them, but Creusa’s separation from the group alludes to her fate: she falls behind and is lost as the Greeks invade the city.
A horizontally oriented print in black ink depicts an armored man carrying an older man on his back through stone arches. To their left, a small child walks beside them. On the right, a woman in draped robes looks down, holding a cloth to her face. In the background, smoke and flames rise from a circular temple and tall column. Broken stone fragments and metal armor lie scattered on the ground.

Aeneas and His Family Fleeing Troy

1595

Agostino Carracci, Federico Barocci

(Italian, 1557–1602), (Italian, 1528–1612)
Italy, 16th century

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