Overall: 34.3 x 47 x 34.3 cm (13 1/2 x 18 1/2 x 13 1/2 in.)
John L. Severance Fund 1963.477
This sculpture is an excellent example of the Romanesque sculptor’s ability to accommodate his subject to the format of the capital. Much of the artistic quality of this work derives from the skillful contrast and balance of rounded solids, deep voids, and shallow prismatic hollows. It also illustrates the love of fanciful subject matter in largely religious contexts. A capital is essentially the top element of a column, usually carved, that acts as a mediator between the column and the load it supports. In this way, the subject of this capital serves as a metaphor.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email firstname.lastname@example.org.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email email@example.com.