Images
https://piction.clevelandart.org/cma/ump.di?e=21079F930BF20FF29B3A44F4836CE86CF577F2CBC8796B6B4D95634217E8E271&s=24247294&se=1128270358&v=3&f=1975.160_o2.jpg
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https://piction.clevelandart.org/cma/ump.di?e=1C0B8F949BA63DB3BFF09374754349EF591DC8F6CFDAA6CD264EB1E417FE6264&s=24247294&se=1128270358&v=1&f=%5C1975.160det02_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=663552D2C08910ABCEB2097315ECE3C27A62A2FE50EDB280A10CA27BABF1ABB4&s=24247294&se=1128270358&v=1&f=%5C1975.160det03_o2.jpg
Sep 9, 2009
Sep 9, 2009
Sep 9, 2009
Sep 9, 2009
Mask
Mask
c. 1920s
Wood, pigment, plant fiber, and metal
Overall: 49.5 cm (19 1/2 in.)
Gift of Katherine C. White 1975.160
Location
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Did you know?
Joints on this mask's jaw allow it to open and close.
Description
Ibibio viewers understood that this Ekpo mask with a serene face depicts a beautiful, beneficent soul. This one probably honored a young Ibibio maiden who graduated from the "fattening house," an initiation school where she was fed rich foods to strengthen and beautify her. The bead suspended around the neck of the surmounting head is an insignia of graduation. The double-braided coiffure may have been inspired by Victorian fashions observed by the sculptor in magazines or worn by English missionary women.
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