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May 26, 2009

Portrait of Ōzora Buzaemon

大空武左衛門像

1827

Watanabe Kazan 渡辺崋山

(Japanese, 1793–1841)

Japan, Edo period

(1615-1868)

Hanging scroll; ink and color on paper

Image: 221.8 x 117.8 cm (87 5/16 x 46 3/8 in.); Overall: 256.8 x 131 cm (101 1/8 x 51 9/16 in.); with knobs: 256.8 x 140.5 cm (101 1/8 x 55 5/16 in.)

Leonard C. Hanna, Jr. Fund 1980.177

Location

not on view

Did you know?

Watanabe Kazan was interested in Rangaku (Dutch Learning).

Description

Over seven feet tall, Ōzora Buzaemon became a tabloid sensation when he arrived in Edo (Tokyo) in 1827 . His handprints were cherished souvenirs, and his image was sold on woodblock prints. As inscriptions on the scroll detail, Watanabe Kazan met Buzaemon at the residence of a noted Confucian scholar. Using a camera obscura–type device—a tool that uses light to project an image onto a surface—he made this preliminary drawing for a painting. The portrayal depicts Buzaemon’s discomfort in being stared at.

Provenance

?-1980

(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art)

1980-

The Cleveland Museum of Art, Cleveland, OH

Citations

Neils, Jenifer. “The Twain Shall Meet.” The Bulletin of the Cleveland Museum of Art, vol. 72, no. 6, 1985, pp. 326–359. Reproduced: p. 355, fig. 59 www.jstor.org

Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland, OH: The Cleveland Museum of Art, 1998. Mentioned and Reproduced: pp. 228–229

Cleveland Museum of Art. Tōyō kaiga no seika: Kurīvurando Bijutsukan no korekushon kara : tokubetsuten. 1998. Referenced: p 139, cat. no. 92

Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art [クリーブランド美術館展 : 名画でたどる日本の美 Kurīburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: Tōkyō Kokuritsu Hakubutsukan, 2014. Referenced: pp. 68-69, cat. no. 22.

Morland, Carol. "Images of Sato Issai and the Early Portraiture of Watanabe Kazan." Orientations, 50, no.1 (Jan./Feb. 2019): 114-121. Mentioned: p. 118; Reproduced: p.119, fig. 8

Vilbar, Sinéad. “Triumphant Returns: Treasured paintings on loan to Japanese museums and archaeological collections go back on display in Cleveland.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 59, no. 1 (January/February 2019): 12-13. Reproduced: P. 13; Mentioned: P. 12.

Exhibition history

Later Japanese Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (March 18-July 13, 2004).

Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).

Reflections of Reality in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-May 1, 1983).

The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986).

Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).

Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).

Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014).

Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 7-July 8, 2019).

Cite this page

{{cite web|title=Portrait of Ōzora Buzaemon|url=https://clevelandart.org/art/1980.177|author=Watanabe Kazan|year=1827|access-date=11 December 2023|publisher=Cleveland Museum of Art}}

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Portrait of Ōzora Buzaemon

Portrait of Ōzora Buzaemon

大空武左衛門像

Watanabe Kazan 渡辺崋山

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