1529–1530
(Italian, 1503–1540)
Etching
Support: Cream(1) laid paper
Sheet: 27.1 x 20.4 cm (10 11/16 x 8 1/16 in.)
Dorothea Wright Hamilton Fund 1985.10
Catalogue raisonné: Bartsch 106 (as Reni, XVIII.300)
One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of the day (derived from engraving techniques) consisted of parallel and cross-hatched lines. Etching, a new technique developed around 1510, freed the artist from both the traditional vocabulary of engraving and dependence on reproductive printmakers. Parmigianino used the medium to convey the grace and spontaneity of his pen and ink drawings. Of the twenty etchings attributed to him, this is generally considered his masterpiece.
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email [email protected].
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.