The Entombment

The Entombment

1529-1530

Parmigianino

(Italian, 1503-1540)

Etching

Support: Cream(1) laid paper

Sheet: 27.1 x 20.4 cm (10 11/16 x 8 1/16 in.)

Dorothea Wright Hamilton Fund 1985.10

Catalogue raisonné: Bartsch 106 (as Reni, XVIII.300)

Location

Description

One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of the day (derived from engraving techniques) consisted of parallel and cross-hatched lines. Etching, a new technique developed around 1510, freed the artist from both the traditional vocabulary of engraving and dependence on reproductive printmakers. Parmigianino used the medium to convey the grace and spontaneity of his pen and ink drawings. Of the twenty etchings attributed to him, this is generally considered his masterpiece.

See also
Collection: 
PR - Etching
Department: 
Prints
Type of artwork: 
Print
Medium: 
Etching

Contact us

The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

Is something not working on this page? Please email help.website@clevelandart.org.

Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email imageservices@clevelandart.org.