1553
(Italian, 1520-1582)
published by
(Italian, 1503-1572)
Engraving
Support: Cream(1) laid paper
Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)
John L. Severance Fund 1986.233
Catalogue raisonné: Lewis&Boorsch 14
State: ii/ii (top plate) ; iv/iv (bottom plate)
The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands. There he worked with Hieronymus Cock (about 1510–1570), founder of the largest and best-known print publishing establishment in northern Europe, called The Four Winds. This print reproduces a painting of similar size by the artist Agnolo Bronzino (1513–1572), painted in the late 1530s for Filippo d'Averardo Salviati of Florence. Making a print based on a work belonging to a private individual was an unusual practice during the 16th century.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email imageservices@clevelandart.org.