c. 1495
(German, 1471–1528)
Engraving
Bequest of Mrs. Severance A. Millikin 1989.231
Catalogue raisonné: Meder 42
Dürer’s earliest engraving of the Virgin and Child theme features the Madonna seated on a grassy bench in an enclosed garden, a traditional subject alluding to her virginity. The divine presence of God the Father and the Holy Spirit in the form of the dove overhead reinforces her sacred role as the mother of the Messiah, while Joseph, idly napping to the side, imparts a sense of domesticity and humanity to the scene. Because Dürer returned to this theme continuously throughout his career, it is possible to track his artistic development in engraving. For example, Joseph’s awkward proportions reveal Dürer’s relative inexperience in the medium up to this point.
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.