Support: Blued white laid paper
Sheet: 20.7 x 26.6 cm (8 1/8 x 10 1/2 in.)
John L. Severance Fund 1991.96
Catalogue raisonné: Robert-Dumesnil 69 (VIII.46)
The Italian Renaissance made an impact outside Italy in the second quarter of the 1500s, when the French king François I invited Italian artists to oversee the decorative program of his chateau at Fontainebleau. Arriving in 1530, Rosso Fiorentino had been deeply influenced by Michelangelo’s Sistine Chapel ceiling frescoes, which he had seen while working in Rome between 1524 and 1527. Rosso’s designs for two figures in niches (which were engraved by René Boyvin) imitate the complexity and tension of Michelangelo’s nudes. In this story from Ovid’s Metamorphoses, Cephalus has accidentally impaled his wife Procris, who had been spying on him from the bushes.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email email@example.com.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.