The Blacksmith

1771
(British, 1743–1822)
(British, 1734–1797)
Catalogue raisonné: Clayton 157
State: II/III
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Description

Joseph Wright of Derby's fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available, could reach a much larger audience than his oils. Filled with dramatic light effects, Wright's paintings were ideally suited for reproduction in mezzotint. With its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, mezzotint was the printmaking technique closest to oil painting. Experts like Earlom or William Pether were skilled at transposing paintings into mezzotint while exploiting the unique characteristics of this medium.
The Blacksmith

The Blacksmith

1771

Richard Earlom, Joseph Wright of Derby

(British, 1743–1822), (British, 1734–1797)
England, 18th century

Visually Similar by AI

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.