Skip to Main Content

Painting of One Hundred Themes

백납도 (白衲圖)

late 1800s
Overall: 117.7 x 335 cm (46 5/16 x 131 7/8 in.); Painting only: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.)
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location: not on view

Download, Print and Share

Did You Know?

The way of displaying small images of various subjects became one of the most popular type of painting toward the end of the 19th century.

Description

The front of this screen features an assortment of subjects: birds and flowers, landscapes, and scenes of everyday life, mostly in monochromatic ink with light colors. The screen’s reverse side conveys a number of classical poems about the fleeting beauty of the four seasons. Traditionally, only one side of a folding screen bears painted or embroidered images, since these were used as a background furnishing. In Korean houses by the 1800s and early 1900s, however, two-sided folding screens became noticeably popular, possibly inspired by Japanese double-sided folding screens, which mainly served as room dividers in Japanese households.
Painting of One Hundred Themes

Painting of One Hundred Themes

late 1800s

Korea, Joseon dynasty (1392–1910)

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.