Salted paper print from a collodion negative
Paper: 23.1 x 16.5 cm (9 1/8 x 6 1/2 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
Jo Hershey Selden Fund 2001.5
After his antigovernment political activity closed off his professional opportunities as a painter, Frénet took up photography in 1850 and a decade later opened a commercial portrait studio. He preferred simple, plain settings and relied on sitters’ interactions to reveal their personalities and relationships. This family grouping, probably taken for personal pleasure, offers a sense of casual immediacy unusual for the time in both painted and photographic portraiture.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email email@example.com.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.