Artwork Page for We Have Been Believers

Details / Information for We Have Been Believers

We Have Been Believers

1949
(American, 1918–1979)
printer
(American, 1920–2003)
Culture
America
Support
Wove paper
Measurements
Sheet: 40.5 x 30.2 cm (15 15/16 x 11 7/8 in.)
Credit Line
Edition
30
Copyright
Copyright
This artwork is known to be under copyright.
Location
Not on view
?

Did You Know?

For over a decade beginning in 1965, Charles White taught at the Otis Art Institute in Los Angeles, where he instructed the next generation of African American contemporary artists including Kerry James Marshall and David Hammons.

Description

This print's title is taken from a poem by Margaret Walker, published in an 1939 issue of Poetry, which described the struggles and strength of African Americans since the advent of slavery. Like Charles White, Walker worked in Chicago during the 1930s and '40s, a period that came to be known as the Chicago Black Renaissance. In this lithograph, published a decade after the poem, White interpreted Walker's words visually through the overlapping profiles of a couple who both look slightly upward with expressions that suggest both anxiety and resilience. In such images, White aimed to create a new art that was created both about and for Black Americans.
A lithograph in black ink depicts two stylized Black figures. To our left, a man's forehead is wider than the rest of his face and narrows toward the chin, which rests on a thick-fingered hand. Black creases cover his face. Overlapping him, a woman tilts her head, her gaze directed upward. Bold shading creates heavy highlights. Patterned fabric appears at the bottom above the text, "WE HAVE BEEN BELIEVERS."

We Have Been Believers

1949

Charles White, Robert Blackburn

(American, 1918–1979), (American, 1920–2003)
America

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