• Additional view of object
  • Additional view of object
  • Additional view of object
  • Additional view of object
Jan 27, 2022
Jan 20, 2005
Jan 27, 2022

The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves)

The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves)

c. 1420–30

This object has related works. See Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves); Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves); Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves); The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves); The Visitation: Leaf from a Book of Hours (5 of 6 Excised Leaves)

Henri d'Orquevaulx

(French)

or Workshop

France, Metz, 15th century

Ink, tempera, silver, and gold on vellum

Overall: 15.9 x 11.6 cm (6 1/4 x 4 9/16 in.)

The Jeanne Miles Blackburn Collection 2001.76

Location

not on view

Download and Share

Download
Creative Commons CC0
Print
Social share

Did you know?

Mostly used by women, books of hours are estimated to have been owned by every fourth household at the height of their popularity.

Description

This leaf survives from what must have been an extraordinarily rich book of hours. The elaborate Passion cycle and Suffrages point to an important patron. Internal evidence within the original calendar and texts indicates that Metz was the probable place of production. Stylistically, the illuminations appear to come from the workshop of Henri d’Orquevaulx, a documented Metz manuscript painter. Compositionally, structurally, and stylistically, the miniatures suggest strong links to Netherlandish illumination. It is not known whether d’Orquevaulx came originally from the Netherlands or whether he simply worked or trained there at some point in his career.

See also
Collection: 
MED - Manuscript Illuminations
Department: 
Medieval Art
Type of artwork: 
Manuscript
Medium: 
Ink, tempera, silver, and gold on vellum
Credit line: 
The Jeanne Miles Blackburn Collection

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.