(Japanese, c. 1570-c. 1640)
Six-panel folding screen, ink, color and gold on paper
Image: 150.4 x 343 cm (59 3/16 x 135 1/16 in.); Overall: 162.4 x 355.8 cm (63 15/16 x 140 1/16 in.); Panel: 162.4 x 59.2 cm (63 15/16 x 23 5/16 in.); with frame: 165.6 x 358.6 cm (65 3/16 x 141 3/16 in.)
Andrew R. and Martha Holden Jennings Fund 2004.86
Such depictions of the God of Thunder originated in Buddhist art. Here, the image was painted on paper covered with gold dust, a technique often found in paintings by Tawaraya Sotatsu or of the Sotatsu school. This gold technique and the "Inen" seal here suggest that the anonymous painter of this screen was probably associated with the Sotatsu workshop. The artist used a prototype borrowed from earlier Japanese narrative painting—rather than mechanically reproducing Sotatsu’s image—and created a bold, innovative image that served the world of play and leisure in early Edo Japan.
The theme of "God of Thunder" was often paired with "God of Wind" and has been frequently reinterpreted by generations of Rimpa artists. Unfortunately, the screen God of Wind which would have accompanied this God of Thunder cannot be located.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email firstname.lastname@example.org.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email email@example.com.