Artwork Page for The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Details / Information for The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

1602–4
Measurements
Sheet: 26.2 x 15.6 cm (10 5/16 x 6 1/8 in.); Image: 20 x 11.2 cm (7 7/8 x 4 7/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The finishing details on this painting, such as two of the shepherds’ feet, the tile patterning, and probably arabesques, have not been completed.

Description

Without reading the text, it would be difficult to identify the adorers as shepherds, because they are clothed as Portuguese merchants with ruffed collars and broad-brimmed hats. Mary stands with her divine newborn in a fenced enclosure, evocative of a sacred or royal space within a rather palatial setting, complete with pseudo-Ionic columns and heavy red draperies. The two books on the floor indicated to the Mughals that Christians, like Muslims, revere a definitive sacred scripture such as the Bible or the Koran.

The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

1602–4

Mughal India, Allahabad, made for Prince Salim (1569–1627)

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