The People Work: Noon

(American, 1904–1967)
Support: Medium weight, mould-made wove paper
Platemark: 35.2 x 48 cm (13 7/8 x 18 7/8 in.); Sheet: 40.5 x 57.8 cm (15 15/16 x 22 3/4 in.)
Catalogue raisonné: Fine and Looney 142
Edition: 40
Location: not on view
This artwork is known to be under copyright.

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Did You Know?

This series of lithographs shows the artist Benton Spruance’s affinity for Mexican mural painting by such artists as Diego Rivera.


These unusual cross-section views of New York City imagine the daily commute in the big city as a beehive or ant colony that never stops. Morning is the subway commute, while Noon presents dock workers on break during a bustling lunch hour. Evening is back to the subway with the buses running overhead. And Night shows workers performing maintenance while others enjoy time off at a bar, only to start all over again the next day. Jammed with commuters both above and below street level, the series highlights the intermingling of strangers that animates urban life.
The People Work: Noon

The People Work: Noon


Benton Spruance

(American, 1904–1967)
America, 20th century

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