Etching and aquatint on silk
Image: 17 x 39.4 cm (6 11/16 x 15 1/2 in.); Mounted: 20.3 x 45.1 cm (8 x 17 3/4 in.)
Gift of Friends of the Department of Prints and Drawings 2008.18
Although Guyot’s print presents the same bacchanal as Gérard’s wax relief, the scene is flipped horizontally because the process of printing reverses the image. The differences between the two versions—apparent in the smoke, the foliage of the tree, and the belt of the central leaping man—suggest that both craftsmen may have worked directly from Moitte’s original design. Guyot’s use of aquatint, which produces areas of continuous tone with subtle variations in light and shade, makes the print seem more like a drawing than a sculpture. By printing on silk instead of paper, Guyot enhanced the sensuousness and luminosity of the scene in a manner different than Gérard’s use of colored wax.
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.