late 1800s-early 1900s
Part of a set. See all set records
Wood, glass beads, upholstery studs, plant fiber, and iron
Overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.)
René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund 2010.454.a
Symbolic of anvils, the round metal tacks decorating the figure's hair "pin" spirits and their secrets within it. They are at the hairline and each of the four hair cascades (the bottommost is now gone).
In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of mpemba (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women--who are societally important--men created and owned the majority of such works.
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