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Calligraphy of Lyrical Quatrains (verso)

mid-1700s

Part of a set. See all set records

Mughal India, probably Lucknow

Gum tempera, ink, and gold on paper

Calligraphy: 17 x 9.6 cm (6 11/16 x 3 3/4 in.)

Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection 2013.348.b

Location

not on view

Did you know?

The bird-headed decanter evokes blood rites of kingship in pre-Islamic Iran.

Description

The artist has depicted a glass or crystal duck-headed decanter adorned with a gilded grapevine motif, signaling the contents. The red wine flows from the duck’s mouth into a tiny cup. Such bird-shaped wine vessels are vestiges of the blood sacrifices once part of ancient Persian court rituals. On the verso, floral sprigs illuminate the central calligraphic work, and paired verses have been written in smaller script all around the border. On this page, all the verses are about the beauty of—and longing for—the beloved.

Inscriptions

Inscription

verso: Persian verses in nasta‘liq script. Whoever set eyes on the Opening Verses of your face recited “Say He is the Only God” and breathed it out in pure sincerity./ “God has made her grow in purity and beauty,” So recited and passed by Khizr, the moment he saw the green [pubescent] sprouting around your lips.

Inscription

verso: Persian verses in top horizontal border, right to left, in nasta‘liq script. My heart became shackled to her tresses;/ You have lost your head in fulfilling this desire./ Go and become entangled in her tresses./ If you see her mouth, do not say a word.

Inscription

verso: Persian verses in bottom horizontal border, right to left, in nasta‘liq script. If she asks you what you desire, say “your heart.”/ Since once she knows it, one could never banish her from one’s heart./ For one cannot assure one’s heart based on her words of promise;/ It is not fitting that one should lose one’s heart for naught.

Inscription

verso: Persian verses in right vertical border, top to bottom, in nasta‘liq script: From the anguished mood and state of this sorrowful heart,/ Narrate down the story as you brush down her tresses [conjectural]/ Of me, in an unfit state, shackled and in chains/ How I fare in that stifling prison./ If you go and seek her out in that abode/ Once you find her, you should say of me, the heartbroken.

Inscription

verso: Persian verses in left vertical border, bottom to top, in nasta‘liq script: I have a heart ensnared by her tresses/ Exiled in foreign lands [. . .] of her tresses/ The tale of this broken-hearted soul, like disheveled hair/ Bring to her ears in a well-composed manner, like well-arranged hair/ Enchain her tresses in your speech/ Brush her locks behind her for a while.

Provenance

?-1849

Sir Charles Forbes, 7th Baronet (1773-1849), Bengal, London, and Scotland, by descent to his great-grandson, Colonel Sir John Forbes

?-1962

Colonel Sir John Stewart Forbes [1901-1984], Baronet, DSO, DL, Allargue House, Strathdon, Aberdeenshire, Scotland, UK, consigned to Sotheby's London for sale

December 10, 1962

(Sotheby's, London, Western and Oriental Manuscripts and Miniatures, lot 21)

1962-2001

Ralph Benkaim [1914-2001], Beverly Hills, CA, by descent to his wife Catherine Benkaim

2001-2013

(Catherine Glynn Benkaim [b. 1946], Beverly Hills, CA, sold to the Cleveland Museum of Art)

2013-

The Cleveland Museum of Art, Cleveland, OH

Citations

Sotheby's, London. Western and Oriental Manuscripts and Miniatures. December 10, 1962. Mentioned: Lot 21

Mace, Sonya Rhie, Mohsen Ashtiany, Catherine Glynn, Pedro Moura Carvalho, Marcus Fraser, and Ruby Lal. Mughal Paintings: Art and Stories: the Cleveland Museum of Art. London: D Giles Limited, 2016 Reproduced: cat. 85, p. 258

Exhibition history

Art and Stories from Mughal India. The Cleveland Museum of Art (organizer) (July 31-October 23, 2016).

Cite this page

{{cite web|title=Calligraphy of Lyrical Quatrains (verso)|url=https://clevelandart.org/art/2013.348.b|year=mid-1700s|access-date=01 December 2020|publisher=Cleveland Museum of Art}}

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Calligraphy of Lyrical Quatrains (verso)

Calligraphy of Lyrical Quatrains (verso)

Mughal India, probably Lucknow

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