Support: Chine collé on sheet on Arches wove paper
Image: 45.2 x 34.9 cm (17 13/16 x 13 3/4 in.); Secondary Support: 66.5 x 50.2 cm (26 3/16 x 19 3/4 in.)
Gift of Sean Murphy in memory of his parents, Cecil Buller and John Murphy 2013.413
By the 1920s, burlesque shows were popular in American cities, featuring comedy acts, skits, songs, and a striptease.
Shown with simplified features and enhanced by the harsh spotlighting of the stage, the three scantily clad burlesque dancers appear more like sculptures than flesh and bone. Cecil Buller made the visual comparison explicit by placing a caryatid, or sculptural column in the form of a woman, behind the stage. Such architectural extravagances were typical of the grand theaters of the era.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.