Artwork Page for In the Prison, Itself the Ultimate Form of Segregation, the Prisoner is Still Directed and Regulated by the Local Rationale Existing Outside its Walls. "White Female" Over the Prison Door indicates for White Prisoners Only, New Orleans

Details / Information for In the Prison, Itself the Ultimate Form of Segregation, the Prisoner is Still Directed and Regulated by the Local Rationale Existing Outside its Walls. "White Female" Over the Prison Door indicates for White Prisoners Only, New Orleans

In the Prison, Itself the Ultimate Form of Segregation, the Prisoner is Still Directed and Regulated by the Local Rationale Existing Outside its Walls. "White Female" Over the Prison Door indicates for White Prisoners Only, New Orleans

1965

Leonard Freed

(American, 1929–2006)
Culture
America
Medium
gelatin silver print
Measurements
Image: 23.9 x 15.9 cm (9 7/16 x 6 1/4 in.); Paper: 25.2 x 20.3 cm (9 15/16 x 8 in.)
Credit Line
Gift of Mark Greenberg and Tami Morachnick 2014.472
Copyright
© Leonard Freed /Magnum Photos
This artwork is known to be under copyright.
Location
Not on view
Print

In the Prison, Itself the Ultimate Form of Segregation, the Prisoner is Still Directed and Regulated by the Local Rationale Existing Outside its Walls. "White Female" Over the Prison Door indicates for White Prisoners Only, New Orleans

1965

Leonard Freed

(American, 1929–2006)
America

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