Images
https://piction.clevelandart.org/cma/ump.di?e=E2FCF4A90C6EFE20D430FFCB76FD9117996FA99DB73E5AA2AC484D7BF48EF797&s=24247294&se=2126228590&v=6&f=%5Cd4523%5Cu258545236%5C2021.163_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C631212BB47A5C9B015A47C4BB53816B7DFF50ECA38B084C72&s=24247294&se=2126228590&v=3&f=%5Cd6508%5Cu258565088%5C2021.163det01_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C692121E3A190E47E728D3FD9E7375C6629A4AC584DE13C0FE&s=24247294&se=2126228590&v=3&f=%5Cd6516%5Cu258565166%5C2021.163det02_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C64064B9CF695CC49D4565260EF86B369C0685D8E62C363050&s=24247294&se=2126228590&v=3&f=%5Cd6524%5Cu258565244%5C2021.163det03_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C66BEE9E08EE07F69C82A7E5FFE7EBFFDD4CD1C1838B3A45B2&s=24247294&se=2126228590&v=3&f=%5Cd6532%5Cu258565322%5C2021.163det04_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C6086B7119BF00CB8715FB1297EFC8E9EB20519A10E2E21710&s=24247294&se=2126228590&v=3&f=%5Cd6540%5Cu258565400%5C2021.163det05_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=A1DAEA671FC320C6F73FC0869F6CE59D91DE52757090AE12952D157C5B235526&s=24247294&se=2126228590&v=3&f=%5Cd6547%5Cu258565478%5C2021.163det06_o2.jpg
Dec 14, 2021
Dec 14, 2021
Dec 14, 2021
Dec 14, 2021
Dec 14, 2021
Dec 14, 2021
Dec 16, 2021
À Lusaka
À Lusaka
1982
Melvin Edwards
(American, b. 1937)
Steel
29.6 x 19.4 x 14 cm (11 5/8 x 7 5/8 x 5 1/2 in.)
Weight: 10.75 lbs / 4.89 kg
Leonard C. Hanna, Jr. Fund 2021.163
© Melvin Edwards / Artists Rights Society (ARS), New York
Location
Download and Share
Did you know?
Lynch Fragments are hung at eye-level (determined by the artist’s height) to invite a direct encounter with the viewer.
Description
À Lusaka (1982) belongs to an ongoing series, Lynch Fragments, which Melvin Edwards began in 1963. The Lynch Fragments are small-scale abstract wall reliefs that feature recognizable objects—often objects that could serve as weapons, such as chains, knives, and railroad spikes. Through Edwards’s composition and welding technique, familiar elements shed their functional associations, becoming lines and shapes in space, and yielding innovative sculptural forms.
Contact us
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.