À Lusaka

1982
(American, b. 1937)
29.6 x 19.4 x 14 cm (11 5/8 x 7 5/8 x 5 1/2 in.)
Weight: 10.75 lbs / 4.89 kg
© Melvin Edwards / Artists Rights Society (ARS), New York
This artwork is known to be under copyright.

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Lynch Fragments are hung at eye-level (determined by the artist’s height) to invite a direct encounter with the viewer.

Description

À Lusaka (1982) belongs to an ongoing series, Lynch Fragments, which Melvin Edwards began in 1963. The Lynch Fragments are small-scale abstract wall reliefs that feature recognizable objects—often objects that could serve as weapons, such as chains, knives, and railroad spikes. Through Edwards’s composition and welding technique, familiar elements shed their functional associations, becoming lines and shapes in space, and yielding innovative sculptural forms.
À Lusaka

À Lusaka

1982

Melvin Edwards

(American, b. 1937)
America

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Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020

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