Platemark: 22.7 x 17.5 cm (8 15/16 x 6 7/8 in.); Sheet: 28.6 x 23.4 cm (11 1/4 x 9 3/16 in.)
Severance and Greta Millikin Trust 2022.56
William E. Smith’s prints were included in a 1942 exhibition of Karamu House artists organized at New York’s Associated American Artists Galleries and sponsored by a committee including cultural figures such as Langston Hughes, Alain Locke, and Carl Van Vechten. The show traveled to Philadelphia’s Temple University and brought national attention to the Karamu House printmaking workshop.
This linocut was created by William E. Smith while he was involved in the printmaking workshop at Karamu House, a community art center founded in 1915 that is still active in Cleveland today. Created by carving into a smooth linoleum block, linocut is an accessible technique that was favored at Karamu for its accessibility and democracy. Smith used it to evocatively depict the lives of Black Clevelanders—here, a figure who meets the viewer’s gaze confidently and directly.
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.