Artwork Page for Yang Guifei Leaving the Bath

Details / Information for Yang Guifei Leaving the Bath

Yang Guifei Leaving the Bath

楊貴妃出浴圖

1700s
(Chinese, 1606–after 1689)
Measurements
Painting only: 96.5 x 44.1 cm (38 x 17 3/8 in.); Overall with knobs: 231.8 x 73 cm (91 1/4 x 28 3/4 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Due to the warm and humid climate in China’s southeast, silk workshops specialized in making airy gauze garments, like the one worn by Yang Guifei here.

Description

This painting relates to the legendary love story between Tang dynasty (618–906) emperor Xuanzong and his consort, the beautiful Yang Guifei. Set in what appears to be an 18th-century southern interior, the artist depicts Yang Guifei in a fashionable dress of semitransparent red gauze. Due to the warm and humid climate in China’s southeast, local silk workshops specialized and excelled in making airy gauze garments. Yang’s nude body can be seen through the red robe as she leaves the bath. Her servant offers her a bowl of soup. The presence of a male figure would have been a breach of customary protocol; cross-dressed as a male scholar, the earrings reveal that Yang’s attendant is in fact a girl.
A hanging scroll depicts a person with light skin tone kneeling and holding out a bowl to Yang Guifei, a woman with light skin tone, dark brown hair pulled up, and wearing a gauzy, swirling-patterned, red robe. She turns back and looks down, left arm folded across her chest, finger pointing down. Over a railing is a vase pocketed with holes and growing white flowers. A screen on the right depicts a landscape.

Yang Guifei Leaving the Bath

1700s

Gu Jianlong

(Chinese, 1606–after 1689)
China, Qing dynasty (1644-1911)

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