Artwork Page for Christ, St. Paul, and the Twelve Apostles

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Christ, St. Paul, and the Twelve Apostles

c. 1578
(Dutch, 1558–1617)
(Flemish, 1520–1581)
(Netherlandish)
(Flemish, 1532–1603)
publisher
State
First state/edition
Public Domain
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Location
Not on view
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Did You Know?

In the late 16th century, viewing an image of a saint’s martyrdom was meant to create a personal connection to the saint.

Description

This print series features thirteen engravings depicting Christ and the Apostles (Christ’s primary disciples). In each scene, an apostle is shown in the foreground, with architecture and landscape behind him that indicate the locales in which he preached Christ’s message, from Rome to India. In the middle ground of each print, the apostle’s martyrdom is enacted with multiple figures, while the party responsible for his death—be it king, idol, or devil—looks on. Martyrdom was tied to sainthood in Roman Catholic theology, and martyrdoms appeared frequently in art made after 1563, when the Catholic Church declared that religious art should create empathetic, personal connections to the saints.
A series of thirteen horizontal engravings in black ink on paper, arranged in three rows, depicts Christ, St. Paul, and the twelve apostles with light skin tones. Standing within architectural and landscape settings, the figures interact with crowds or hold symbolic items, like the globe in Christ's hand. Fine black lines create dense shadow throughout the busy scenes. Latin text is inscribed in the bottom margin of each panel.

Christ, St. Paul, and the Twelve Apostles

c. 1578

Hendrick Goltzius, Hans Collaert the Elder, Unknown Engraver, Maarten de Vos, Aux Quatre Vents

(Dutch, 1558–1617), (Flemish, 1520–1581), (Netherlandish), (Flemish, 1532–1603)
Netherlands, 16th century

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