Artwork Page for Victory Surrounded by Prisoners and Trophies

Details / Information for Victory Surrounded by Prisoners and Trophies

Victory Surrounded by Prisoners and Trophies

1552
(Flemish, 1509–1570)
publisher
Measurements
Image: 31.7 x 44 cm (12 1/2 x 17 5/16 in.); Sheet: 31.7 x 44 cm (12 1/2 x 17 5/16 in.)
Catalogue raisonné
Hollstein 4
State
Hollstein 4; The New Hollstein 156 second state (of three)
Public Domain
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Location
Not on view
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Did You Know?

This is the only etching that the Northern Renaissance painter Frans Floris ever made.

Description

In Victory Surrounded by Prisoners and Trophies, Frans Floris portrayed a standing female figure in the center, the personification of Victory, surrounded by a multitude of nudes and trophies (or spoils of war), which she has vanquished. The nudes were inspired by Roman friezes as well as figures that Floris had studied on Michelangelo’s Sistine Chapel frescoes during an extended trip to Italy in the 1540s. The etching is based on a painted composition (now lost) that Floris made a few years earlier to adorn a triumphal arch, one of numerous ephemeral arches featured in festive decorations throughout the city mounted for the visit of Charles V and the future Philip II in 1549.
A horizontally oriented etching with engraving is crowded with figures, at the center of which Victory, a figure with light skin tone, stands centrally with arms extended. They wear a feathered helmet and a breastplate featuring a face. To our left, fallen figures lie among military armor and weapons. To our right, muscular men with light skin sit bound by chains. Behind them, others carry heavy wooden beams. Latin text is inscribed along the bottom.

Victory Surrounded by Prisoners and Trophies

1552

Frans Floris the Elder, Hieronymus Cock

(Flemish, 1509–1570)
Netherlands, 16th century

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