Artwork Page for Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

Details / Information for Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

1700s
(formerly Orissa)
Measurements
Leaf: 5.1 x 41 cm (2 x 16 1/8 in.)
Public Domain
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Location
Not on view
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Did You Know?

There is a three-legged yogi.

Description

At left is a multicolored mountain, labeled by an inscription in the local language of Oriya as a “cave on Kailash,” the Himalayan abode of the god Shiva and his wife Parvati. The cave with its bed and bolsters is empty, but the god is returning home on his bull, Nandi. The wilderness is indicated by the variety of trees, birds, and spotted deer.

This illustrated leaf is from a book that would have been stacked and bound by a string through the hole in the center. The lines were etched with a stylus into the palm leaf. Black soot from butter lamps was rubbed over the page and wiped off, leaving only the grooves black. Afterward, artists added color using a brush.
An extremely horizontal gum tempera and lampblack painting on palm leaf depicts figures and animals in a tan landscape. On our left, a yellow shrine sits on a hill. In the center, Shiva and a companion with medium skin tones ride a white bull toward our right. To our right, another man with medium skin tone walks holding a staff and vessel. Fine, repetitive black lines form stylized trees, birds, and deer throughout.

Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

1700s

Eastern India, Odisha (formerly Orissa)

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