Artwork Page for A View of the Inside of a Church

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A View of the Inside of a Church

1766
(French, 1730–1800)
Culture
Measurements
Matted: 71.1 x 55.9 cm (28 x 22 in.); Platemark: 55.2 x 40.5 cm (21 3/4 x 15 15/16 in.); Sheet: 64.9 x 47.3 cm (25 9/16 x 18 5/8 in.)
State
Dodgson 8, i (only state); Stogdon 8, i (only state)
Public Domain
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location
Not on view
?

Did You Know?

Mezzotint was relatively new at the time this print was made and had yet to be utilized for such large plates of an architectural nature as seen here.

Description

After returning from several years spent in Italy, the French printmaker George-Francois Blondel settled in London in order to take advantage of the English taste for images of Italian sites. This is one of a series of eight prints he published in 1766 depicting imagined and real Italian interiors. Using the relatively new technique of mezzotint, which creates velvety, dark tonal areas, as well as low vantage points, Blondel created towering, awe-inspiring spaces. For special patrons, he printed the plates in sepia ink, rather than in black; the CMA’s set includes two of these unusual sepia impressions.
A vertically oriented mezzotint in black ink depicts a church interior with a soaring dome and central oculus. Numerous figures with light skin tones gather below. To our left, people stand behind railings and a gallery. In the background, rows of figures face a platform where one person stands with an arm raised. Light from above creates deep shadows. Below, cursive text reads: "A View of the Inside of a Church."

A View of the Inside of a Church

1766

Georges Francois Blondel

(French, 1730–1800)

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