Artwork Page for Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Details / Information for Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
Measurements
Covers overall: 6.5 x 57 x 1.5 cm (2 9/16 x 22 7/16 x 9/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The Five Tathagatas could be the source of visions that would help Buddhist practitioners on the path to enlightenment.

Description

The inner side of the top cover is fully painted with images of the Five Cosmic Buddhas of Esoteric Buddhism. Each one has a different color, meaningful hand gesture, and is associated with a spatial direction. In the center is the white Vairochana holding his hands in the enlightenment mudra. On either side of the binding holes are the other four Cosmic Buddhas Akshobyha (blue, earth-touching mudra, east) and Amitabha (red, meditation mudra, west), and on the ends are Ratnasambhava (gold, gift-giving mudra, south) and Amoghasiddhi (green, fear-not mudra, north). The top side is covered with ritual materials indicating that this book was once an object of worship.
A horizontally oriented tempera painting on a wood panel features a row of seven figures against a vibrant red background. Five large figures with yellow, green, and white skin tones sit cross-legged in red robes, framed by oval halos. Two smaller figures kneel among them. Two circular holes pierce the panel near geometric patterns. The surface shows significant wear, with chips and fading along the edges of the worn rectangular board.

Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu

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