Artwork Page for Upper Paneling from a Sacristy Armoire

Details / Information for Upper Paneling from a Sacristy Armoire

Upper Paneling from a Sacristy Armoire

c. 1460–1475

attributed to Giuliano da Maiano

(Italian, 1432–1490)
Measurements
Overall: 160 x 476 x 69.2 cm (63 x 187 3/8 x 27 1/4 in.)
Public Domain
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Location
Not on view

Description

The imagery on the inset panels is the result of a technique known as intarsia, the skilled inlaying of woods of different colors to create a type of mosaic, popular during the 15th and 16th centuries in Italy for the decoration of paneling and furniture for studies, small rooms, and church sacristies. This large set of five intarsia panels comes from an unknown Florentine church. In its original setting the panels rested upon a row of similarly decorated cupboards (a sacristy armoire) which were used for the storage of liturgical vestments and books. This panel would have therefore been seen at eye level. The central panel depicts the Resurrection of Christ. The two outside panels depict the emblem of Lorenzo de Medici-three plumes encircled by a jeweled ring above a scrolling ribbon containing the Latin word SEMPER (Always). Lorenzo de Medici (1449-92) was the ruler of Florence when this sacristy armoire was constructed and was the likely patron. It seems to be the work of Giuliano da Maiano, an architect and intarsia-maker also responsible for the intarsia in the sacristy of Florence Cathedral.
A horizontal walnut paneling features five recessed rectangles separated by narrow, fluted pillars. Light-colored holly inlays depict symmetrical foliage and vases, while a heraldic crest with a scroll occupies the center. A Latin inscription in capital letters runs along the top border beneath a molded cornice. The deep brown wood shows visible grain. Outer panel designs are mirrored, and the structure sits on a solid base. Pillars with capitals divide the panels.

Upper Paneling from a Sacristy Armoire

c. 1460–1475

Giuliano da Maiano

(Italian, 1432–1490)
Italy, Florence, late 15th century

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