Collection Online as of June 1, 2023

(American, 1849–1916)

Oil on canvas

Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)

Gift of Mrs. Boudinot Keith in memory of Mr. and Mrs. J. H. Wade 1921.1239

Location

208 American Gilded Age and Realism

Fun Fact

Chase and Wheeler worked together to raise money for constructing the Statue of Liberty's pedestal.

Description

Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils. After her course of study, Wheeler joined her mother in launching a successful decorating firm, one of the first businesses in the country to be operated entirely by women. For the firm, she designed luxurious textiles, and the embroidered silk tapestry that fills the background in her portrait references her occupational interest. Chase's portrait was awarded a gold medal at an international exhibition of contemporary art in Munich in 1883, and later that year was also shown in Paris. At some later point, the painting was acquired by the sitter, who subsequently donated it to the museum.

Inscriptions

Inscription

signed lower right: WM M. Chase [WM in monogram]

Provenance

1883-1921

Dora Wheeler, later Mrs. Boudinot Keith [1856-1940], New York, NY, by donation to the Cleveland Museum of Art

1921-

The Cleveland Museum of Art, Cleveland, Ohio

Citations

Brownell, W. C. "American Pictures at the Salon." The Magazine of Art 6 (1883): 492-501. Mentioned: P. 494-495

Dumas, F. G., Henry Houssaye, and Ludovic Baschet. [Paris salon de ...]. Paris, France: Liepmannssohn ed Dufour, 1883. Reproduced: no. 506

Internationale Kunstausstellung. Illustrierter Katalog der internationalen Kunstausstellung im königl. Glaspalaste in München. Munchen, Germany : Knorr & Hirth, 1883-1937 Reproduced: p. 347

Society of American Artists. Catalogue of the Exhibition. New York, NY: [Society of American Artists], 1800. Reproduced: no. 24

Catalogue of the Art Hall of the Inter-State Industrial Exposition of Chicago, 1884 : Twelfth Annual Exhibition Open from September 3d until October 18th. Chicago, IL: Rand, McNally, 1884. Reproduced: no. 354

"Mr. William M. Chase's Art." The Art Interchange 12, no. 13 (June 19, 1884): 148. Mentioned: P. 148

Pecht. "A German Critic on American Art." The Art Amateur 11, no. 4 (1884): 76-79. Mentioned: P. 78 www.jstor.org

"The Brush." Chicago Tribune. (September 14, 1884): 17. Mentioned: P. 17

"A Boston Estimate of a New York Painter." The Art Interchange 17, no. 12 (December 4, 1886): 179. Mentioned: P. 179

Wheeler, Candace. Yesterdays in a Busy Life. New York: Harper, 1918. Mentioned: P. 253

J.C.G. "Painting by Chase Given to Cleveland." American Art News 20, no. 15 (Jan. 21, 1922): 5. Mentioned: P. 5 www.jstor.org

Milliken, W. M. “Portrait of Miss Dora Wheeler by William Merritt Chase.” The Bulletin of the Cleveland Museum of Art 9, no. 3 (1922): 39–42. Reproduced: P. 37

Cortissoz, Royal. American Artists. New York: C. Scribner's Sons, 1923. Reproduced: P. 166

Whiting, Frederic. "The Cleveland Museum of Art." Art and Archaeology 16 (November 1923): 187-194. Reproduced: P. 191.

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1925. Mentioned and Reproduced: 32 archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1928. Mentioned and Reproduced: p. 41 archive.org

Cleveland Museum of Art. Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition : June Twenty-Sixth to October Fourth 1936. [Cleveland, Ohio]: [Cleveland Museum of Art], 1936. no. 379

Cleveland Museum of Art. Catalogue of an Exhibition of American Painting from 1860 Until Today at the Cleveland Museum of Art. [Cleveland]: [Printed by the Artcraft Printing Co.], 1937. p. 16, no. 30, pl. XIV, no. 30

Lane, James W. “This YEAR the CARNEGIE NATIONAL: Pittsburgh’s Brilliant Survey of 160 Years of U.S. Painting.” ARTnews 39, no. 4 (October 26, 1940): 7–18. Mentioned and reproduced: P. 15-16

Saint-Gaudens, Homer. The American Artist and His Times. New York: Dodd, Mead & Company, 1941. Reproduced: P. 185, pl. 33

Cleveland Museum of Art, and Henry Sayles Francis. Paintings in the Cleveland Museum of Art. Picture Book, No. 1. Cleveland: Cleveland Museum of Art, 1945. Reproduced: P. 14 archive.org

Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945. Reproduced: p. 14 archive.org

Flexner, James Thomas. "The Great Chase." ARTnews 48, no. 8 (December 1949): 32-34; 60. Reproduced: P. 33; Mentioned: P. 34

The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 538 archive.org

Neumeyer, A. "Chase, William Merritt." Kindlers Malerei Lexikon: 1000 Malersignaturen, 1200 farbige Reproducktionen, 3000 schwarzweisse Reproduktionen in sechs Bänden. Zürich : Kindler Verlag, 1964. Mentioned: Band I, P. 730

Francis, Henry. "Portraits by Wheeler and Chase." The Bulletin of The Cleveland Museum of Art LII, no. 1 (January, 1965):19-22. Reproduced: p. 20, fig. 2

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 188 archive.org

Wittke, Carl Frederick. The First Fifty Years: The Cleveland Museum of Art, 1916-1966. [Cleveland]: John Huntington Art and Polytechnic Trust, Cleveland Museum of Art, 1966. Mentioned: P. 88

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 188 archive.org

Milgrome, David. The Art of William Merrit Chase. 1970. Mentioned: p. 74-76; Reproduced: p. p. 206

Flexner, James Thomas. Nineteenth Century American Painting. New York, NY: Putnam, 1970. Reproduced: p. 166; Mentioned: p. 171

Flexner, James Thomas. Nineteenth Century American Painting. New York: Putnam, 1970. Reproduced: P. 166; mentioned: P. 171

Wilmerding, John, and R. Peter Mooz. The Genius of American Painting. London. United Kingdom: Weidenfeld & Nicolson, 1973. Mentioned: p. 165-167; Reproduced: p. 166

Albright-Knox Art Gallery, Detroit Institute of Arts, and Toledo Museum of Art. Heritage and Horizon: American Painting, 1776-1976. [Toledo]: Toledo Museum of Art, 1976. Reproduced: P. 43

Pisano, Ronald G. “Teaching Career of William Merritt Chase.” American Artist 40 (May 1976): 26-33, 63-66.. Mentioned: P. 28; reproduced: P. 30

Young, Mahonri Sharp. American Realists, Homer to Hopper. New York, NY: Watson-Guptill Publications, 1977. Reproduced: p. 100

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 233 archive.org

Marling, Karal Ann. "Portrait of the Artist as a Young Woman: Miss Dora Wheeler." The Bulletin of the Cleveland Museum of Art 65, no. 2 (1978): 47-57. Reproduced: P. 46; mentioned: P. 47-48 www.jstor.org

"Les Chronique des Arts." Gazette des Beaux-Arts (November 1978): 27. Reproduced: P. 27, fig. 31

Pisano, Ronald G. William Merritt Chase. New York, NY: Watson-Guptill, 1979. Mentioned: p. 8, 29: Reproduced: p. 29

Quick, Michael, Marvin S. Sadik, and William H. Gerdts. American Portraiture in the Grand Manner, 1720-1920. Los Angeles, CA: Los Angeles County Museum of Art, 1981. Mentioned: p. 68; Reproduced: p. 69

Ludwig, Horst. Münchner Maler im 19. Jahrhundert. München, Germany: Bruckmann, 1981. Mentioned: p. 173-174; Reproduced: p. 173

William Merritt Chase: Portraits, Akron Art Museum, 5 June-29 August, 1982. Akron, Ohio (70 E. Market St., Akron 44308): The Museum, 1982. Mentioned: p. 10, 12-14; Reproduced: P. 13

Betsky, Celia. "In the Artists Studio." Portfolio 4 (January-February 1982): 38-39. Reproduced: P. 39

Bienenstock, Jennifer A. Martin. The Formation and Early Years of the Society of American Artists, 1877-1884. 1983. Mentioned: p. 163-183, 316, 405-407

Johnston, Sona. American Paintings, 1750-1900, from the Collection of the Baltimore Museum of Art. Baltimore, MD: The Museum, 1983. Reproduced:.p. 69

Pisano, Ronald G. A Leading Spirit in American Art: William Merritt Chase, 1849-1916. Seattle, WA: Henry Art Gallery, University of Washington, 1983. Mentioned: p. 63,175; Reproduced: p. 16, 172

Boyle, Richard J. American Impressionism. Boston, MA: New York Graphic Society, 1974. Mentioned: P. 182-206; Reproduced: p. 185

Bolger, Doreen. In Pursuit of Beauty: Americans and the Aesthetic Movement. New York, NY: Metropolitan Museum of Art, 1986. Mentioned: p. 41, 406-407; Reproduced: p. 325

Simon, Robin. The Portrait in Britain and America: With a Biographical Dictionary of Portrait Painters, 1680-1914. Oxford, United Kingdom: Phaidon, 1987. Mentioned: p. 32; Reproduced: p. 45

Fink, Lois Marie. American Art at the Nineteenth-Century Paris Salons. Washington, DC.: National Museum of American Art, Smithsonian Institution, 1990. Mentioned: p. 240, 329; Reproduced: p. 266

Bryant, Keith L. William Merritt Chase, a Genteel Bohemian. Columbia, MO: University of Missouri Press, 1991. Mentioned: p. 102-104, 136; Reproduced: p. 103

Hiesinger, Ulrich W. Impressionism in America: The Ten American Painters. Munich, Germany: Prestel, 1991. Reproduced: p, 81

Butor, Michel, Jennifer Martin, Claude Massu, Sarah Nichols, Alexandra Parigoris, Denys Riout, and David Travis. L'Art des Etats-Unis. Paris, France: Citadelles & Mazenod, 1992. Mentioned: p. 209-210; Reproduced: p. 548

Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland,OH: Cleveland Museum of Art, 1993. Reproduced: p. 36

.Weinberg, H. Barbara, Doreen Bolger, and David Park Curry. American Impressionism and Realism: The Painting of Modern Life, 1885-1915. New York, NY: Metropolitan Museum of Art, 1994. Mentioned: p. 38-41; Reproduced: p.

Hirshler, Erica E. Dennis Miller Bunker: American Impressionist. Boston, MA: Museum of Fine Arts Boston, 1994. Mentioned and reproduced: p. 46-47

Fuller, Margaret, and Donna Dickenson. Woman in the Nineteenth Century and Other Writings. Oxford, NY: Oxford University Press, 1994. Reproduced: cover

Baigell, Matthew. A Concise History of American Painting and Sculpture. New York, NY: IconEditions, 1996. Mentioned and reproduced: p. 161

Van Hook, Bailey. Angels of Art: Women and Art in American Society, 1876-1914. University Park, PA: Pennsylvania State University Press, 1996. Mentioned: p. 49-67; Reproduced: p. 65

Brigham, David R. American Impressionism: Paintings of Promise. Worcester, Mass: Worcester Art Museum, 1997. pp. 25-26, illus. p. 53, Pl. 13

Brigham, David R. American Impressionism: Paintings of Promise. Worcester, MA: Worcester Art Museum, 1997. Mentioned: p. 25-26; Reproduced: p. 53

Turner, Jane. Encyclopedia of American Art Before 1914. New York, NY: Grove's Dictionaries, 2000. Reproduced: p. 90

Groseclose, Barbara S. Nineteenth-Century American Art. New York, NY: Oxford University Press, 2000. Mentioned: p. 49-59; Reproduced: p. 55

Peck, Amelia, and Carol Irish. Candace Wheeler: The Art and Enterprise of American Design, 1875-1900. New York: Metropolitan Museum of Art, 2001. cat. no. 47, illus. p. 175 libmma.contentdm.oclc.org

May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001. Mentioned: p. 50-51; Reproduced: p. 50

Merrill, Linda, and James McNeill Whistler. After Whistler: The Artist and His Influence on American Painting. Atlanta: High Museum of Art, 2003. exh. cat no. 22, p.150-151

Tinterow, Gary, Geneviève Lacambre, and Deborah L. Roldán. Manet/Velázquez: The French Taste for Spanish Painting. New York, NY: Metropolitan Museum of Art, 2003. Reproduced: p. 290, fig. 10.34

Merrill, Linda, and James McNeill Whistler. After Whistler: The Artist and His Influence on American Painting. Atlanta, GA: High Museum of Art, 2003. Mentioned and reproduced: p. 150-151

Curry, David Park. James Mcneill Whistler: Uneasy Pieces. Richmond, VA: Virginia Museum of Fine Arts in association with Quantuck Lane Press, 2004. Mentioned: p. 164-219; Reproduced: p. 197

Weber, Bruce, Sarah Kate Gillespie, and William Merritt Chase. Chase Inside and Out: the Aesthetic Interiors of William Merritt Chase. New York, NY: Berry-Hill Galleries, 2004. Mentioned: p. 32-34; Reproduced: p. 33

Adler, Kathleen, Erica E. Hirshler, H. Barbara Weinberg, David Park Curry, Rodolphe Rapetti, and Christopher Riopelle. Americans in Paris, 1860-1900. London: National Gallery, 2006. pp. 34, 236, plate 14

Adler, Kathleen, Erica E. Hirshler, H. Barbara Weinberg, David Park Curry, Rodolphe Rapetti, and Christopher Riopelle. Americans in Paris, 1860-1900. London, United Kingdom: National Gallery, 2006. Mentioned: p. 34, 236; Reproduced: p. 35

Connor, Holly Pyne. Off the Pedestal: New Women in the Art of Homer, Chase, and Sargent. Newark, NJ.: Newark Museum, 2006. Mentioned: p. 40, 43; Reproduced: p. 44

Brooklyn Museum, Teresa A. Carbone, Barbara Dayer Gallati, and Linda S. Ferber. American Paintings in the Brooklyn Museum: Artists Born by 1876. New York, NY: Brooklyn Museum, 2006. Mentioned: p. 362,369

Pisano, Ronald G., William Merritt Chase, and D. Frederick Baker. The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916). New Haven, CT: Yale University Press, 2006. Mentioned: p. 27, 50-51; Reproduced: p. 50

Goldin, Marco. America!: storie di pittura dal nuovo mondo. Treviso, Italy : Linea d’ombra libri, 2007. Reproduced: p. 380

Gallati, Barbara Dayer, and Ortrud Westheider. High Society: American Portraits of the Gilded Age : Bucerius Kunst Forum, Hamburg, June 7-August 31, 2008. Munich, Germany: Hirmer, 2008. Reproduced: p. 48, fig. 2

Miller, Angela L., Janet Catherine Berlo, Bryan Jay Wolf, and Jennifer L. Roberts. American Encounters: Art, History, and Cultural Identity. Upper Saddle River, NJ: Pearson Education, Inc., 2008. Reproduced: p. 48, fig. 2

Rudolph, William Keyse, A. Kate Sheerin, Chloe Barnett, and Julian Onderdonk. Julian Onderdonk: American Impressionist. New Haven, CT: Yale University Press, 2008. Mentioned: p. 17-18; Reproduced: p. 18

Hirshler, Erica E., Sargent's Daughters: The Biography of a Painting. Boston, MA: MFA Publications, 2009. Reperoduced: p. 111

Ringelberg, Kirstin. Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space. Surrey, UK, England: Ashgate, 2010. Mentioned: p. 87-88; Reproduced: p. 87

Reason, Akela, and Thomas Eakins. Thomas Eakins and the Uses of History. Philadelphia, PA: University of Pennsylvania Press, 2010. Reproduced: p. 78, fig. 31

Marter, Joan M. The Grove Encyclopedia of American Art. New York, NY: Oxford University Press, 2011. Mentioned and reproduced: p. 445-446

Pohl, Frances K. Framing America: A Social History of American Art. New York, NY: Thames & Hudson, 2012. Reproduced: p. 289, fig. 5.38

Marozeau, Maureen, and Matthieu de Sainte-Croix. Art: 365 histoires pour épater la galerie. Paris, France: La Martinière, 2012. Mentioned and reproduced: p. 36-37

Major, Judith K. Mariana Griswold Van Rensselaer: A Landscape Critic in the Gilded Age. Charlottesville, VA: University of Virginia Press, 2013. Reproduced: p. 31

Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 50

Hirshler, Erica E. William Merritt Chase. Boston, Mass.: MFA Publications, Museum of Fine Arts, 2016. Reproduced: p. 24-25, 33

Smithgall, Elsa. William Merritt Chase: A Modern Master. Washington, D.C.: The Phillips Collection; New Haven; London: in association with Yale University Press, 2016. Reproduced: p. 103, pl. 16

Green, Dominic. "The Body Eclectic." Art & Antiques, (Summer 2016): 88-93. Reproduced: p. 89

Smithgall, Elsa. "William Merritt Chase: A Modern Master". American Art Review. 28, no.4 (Aug. 2016): 48-55, 111-112. Reproduced: p. 53

Adams, Henry. What's American About American Art?: A Gallery Tour in the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2008. Mentioned and reproduced: p. 104-105

Exhibition history

Salon. Paris, France (1883).

Boston Art Club, Exhibition of Pictures, Studies, and Sketches by Mr. Wm. M. Chase under the Auspices of the American Art Association, November 13-December 4, 1886, cat. 10, as Portrait of Miss Dora Wheeler.

New York Moore's Art Galleries, Paintings by Mr. William M. Chase, March 2-3, 1887, cat. 115, [lent by Miss. Wheeler].Pittsburgh, Carnegie Institute, Survey of American Painting (1940), no. 155, pl. 49.

Santa Barbara, Santa Barbara Museum of Art, Painting today and Yesterday in the United States (Calif. 1941), no. 27.New York, Portraits, Inc., Portraits of American Women, from Romanticism to Surrealism (5-29 December 1945); cat. no. 15.

Indianapolis, John Herron Art Institute, Chase Centennial Exhibition: Commemorating the Birth of William Merritt Chase, November 1, 1849 (1949), no. 15, illus.

New York, Metropolitan Museum of Art, The 75th Anniversary Exhibition of Painting & Sculpture by 75 Artists Associated with the Art Students League of New York, (1951), xiii, no. 6, p. 1, illus. p. 6.

Philadelphia, Pennsylvania Academy of the Fine Arts, 150th Anniversary Exhibition (15 January-13 March 1955); cat. no. 59, not illus.Southampton, Long Island, The Parrish Art Museum, William Merritt Chase: A Retrospective Exhibition (New York 1957), illus. p. 47, no. 31.

Santa Barbara, University of California Art Gallery; La Jolla (Calif.) Museum of Art; San Francisco, California Palace of the Legion of Honor; Seattle Art Museum; New York, Gallery of Modern Art Including the Huntington Harford Collection, First West Coast Exhibition of Paintings by Willaim Merritt Chase (1964/65), p. i, no. 8, illus. pl. 8.

Buffalo, Albright-Knox Art Gallery; Detroit Institute of Arts; Toledo Museum of Art; Cleveland Museum of Art, Heritage and Horizon: American Painting 1776-1976 (1976), no. 31, illus.

Los Angeles, Los Angeles County Museum of Art, American Portraiture in the Grand Manner: 1720-1920, (1981/82), traveled to Smithsonian Institution, National Portrait Gallery p. 68, illus. p. 69, Fig. 14.

Akron, Akron Art Museum, William Merritt Chase: Portraits (1982), pp. 10, 12-14, 46, illus. p. 13, pl. 1.

Seattle, University of Washington Henry Art Gallery, William Merritt Chase, 1849-1916: A Leading Spirit in American Art (1983), pp. 63 & 175, illus. p. 19, Fig. 16 & p. 172.

New York, Metropolitan Museum of Art, In Pursuit of Beauty: Americans and the Aesthetic Movement, (1986/87), pp. 41 & 406-407, illus. p. 325, Fig. 9.15 & p. 22.

New York, The Metropolitan Museum of Art, American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (1994), pp. 38-41, illus. p. 39, Fig. 29.

Boston, Museum of Fine Arts, Dennis Miller Bunker: American Impressionist, (1994), pp. 46- 7, illus. p. 46, Fig. 16.

The Cleveland Museum of Art (06/21/2005 - 09/11/2005); "CMA Highlights"

Internationale Kunstausstellung, Crystal Palace, Munich, Germany (1883).

Annual Exhibition. Calumet Club, New York, NY ( 1884).

National Academy of Design, Society of American Artists Seventh Annual Exhibition, New York, NY (May 26-June 21,1884).

Inter-State Industrial Exposition of Chicago Twelfth Annual Exhibition. Art Hall Gallery D, Chicago, IL (September 3-October 18,1884).

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).

Exhibition of American Painting from 1860 Until Today. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-October 4, 1937).

The First West Coast Retrospective Exhibition of Paintings by William Merritt Chase. Art, Design & Architecture Museum, UC Santa Barbara, Santa Barbara, CA (organizer) (October 6-November 8, 1964); Museum of Contemporary Art, San Diego, La Jolla, CA (December 1-27, 1964); Fine Arts Museum of San Francisco, Legion of Honor, San Francisco, CA (January 10-February 7, 1965); Seattle Art Museum, Seattle, WA (March 3-April 4, 1965); The Gallery of Modern Art, New York, NY (April 27-May 30, 1965).

Heritage and Horizon: American Painting 1776 - 1976. Albright-Knox Art Gallery, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976).

Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).

American Impressionism, Images "of hope, of life, of promise". Worcester Art Museum, Worcester, MA (organizer) (October 4, 1997-January 4, 1998).

Candace Wheeler: The Art and Enterprise of American Design, 1875-1900. The Metropolitan Museum of Art, New York, NY (organizer) (October 10, 2001-January 6, 2002).

Cleveland Collects American Art of the Gilded Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 23-May 18, 2003).

After Whistler: The Artist and His Influence on American Painting. High Museum of Art, Atlanta, GA (organizer) (November 22, 2003-February 8, 2004); The Detroit Institute of Arts, Detroit, MI (March 13-June 6, 2004).

Americans in Paris. National Gallery, London, London WC2N 5DN (organizer) (February 22-May 21, 2006); Museum of Fine Arts, Boston, Boston, MA (June 25-September 24, 2006); The Metropolitan Museum of Art, New York, NY (October 16, 2006-January 28, 2007).

William Merritt Chase: A Modern Master. The Phillips Collection, Washington, DC (organizer) (June 4-September 11, 2016); Museum of Fine Arts, Boston, Boston, MA (October 9, 2016-January 16, 2017).

The Cleveland Museum of Art

Portrait of Dora Wheeler

William Merritt Chase

Location

Fun Fact

Description

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