The Cleveland Museum of Art
Collection Online as of April 29, 2025

Harlequin with Violin
1918
(Spanish, 1881–1973)
Framed: 171 x 132 x 7.5 cm (67 5/16 x 51 15/16 x 2 15/16 in.); Unframed: 142.2 x 100.3 cm (56 x 39 1/2 in.)
Leonard C. Hanna Jr. Fund 1975.2
© Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Location: not on view
Did You Know?
Picasso associated himself with the character Harlequin, a jokester from the popular commedia dell'arte, a happy-go-lucky and nimble sprite, juggler, and conjurer in whom Picasso recognized his own artistic abilities.Description
The diamond-patterned costume and triangular hat identify the musician in this painting as one of Picasso’s alter egos, Harlequin, a jokester from the popular commedia dell’arte (a theatrical form in which a cast of colorful stock characters spoke in improvised dialogue that became popular in northern Italy in the 1500s and rapidly gained popularity throughout Europe). The phrase Si tu veux on the sheet of music may refer to a contemporary popular song that began, “If you wish, Marguerite, make me happy by giving me your heart.” The inclusion of this lyric may refer to Picasso’s marriage to Russian ballerina Olga Khokhlova the year this painting was made.- Sold to Paul Rosenberg, Paris, France1926John Quinn [1870-1924] New York, NYby 1937-(Paul Roseneberg, Paris, France and New York, NY, by 1937)1975(Alexandre Rosenberg, New York, NY, 1975, sold to the Cleveland Museum of Art)1975-The Cleveland Museum of Art, Cleveland, OH
- Barr, Alfred H. Picasso: Forty Years of His Art. New York, NY: Museum of Modern Art, 1939. Reproduced: no. 40Richardson, John. Picasso: an American Tribute. [Exhibition] April 25-May 12, 1962. New York, NY: Public Education Association, in cooperation with Chanticleer Press, 1962. Reproduced: in color, part IIICleveland Museum of Art, “Recent Acquisition Press Release,” February 18, 1975, Cleveland Museum of Art Archives. archive.orgHenning, Edward B. “Picasso: Harlequin with Violin (Si Tu Veux).” The Bulletin of the Cleveland Museum of Art 63, no. 1 (January 1976): 1–11. Reproduced: Cover, p. 4, fig. 5; Mentioned: p. 2-11 www.jstor.orgLee, Sherman E. “The Year in Review for 1975.” The Bulletin of the Cleveland Museum of Art 63, no. 2 (February 1976): 31–71. Reproduced: p. 48; Mentioned: p. 70, no. 139 www.jstor.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 242 archive.orgHenning, Edward B. “Two New Cubist Paintings by Juan Gris and Pablo Picasso.” The Bulletin of the Cleveland Museum of Art 68, no. 2 (February 1981): 39–50. Mentioned and reproduced: p. 39-40, fig. 4 www.jstor.orgBorowitz, Helen O. “Three Guitars: Reflections of Italian Comedy in Watteau, Daumier, and Picasso.” The Bulletin of the Cleveland Museum of Art 71, no. 4 (April 1984): 116–29. www.jstor.orgHenning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987. Reproduced: P. 49, pl. IV; Mentioned and reproduced: P. 116, no. 24Henning, Edward B. “A ‘Memento Mori’ by Picasso.” The Bulletin of the Cleveland Museum of Art 75, no. 8 (October 1988): 320–327. Mentioned and reproduced: p. 323-324, fig. 6 www.jstor.orgBoggs, Jean Sutherland, Brigitte Léal, and Marie-Laure Bernadac. Picasso and Things: The Still Lifes of Picasso. Cleveland: Cleveland Museum of Art, 1992. Mentioned and reproduced: P.184, fig. 71aCleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 297Keller, Mariah, Simonetta Fraquelli, Kenneth E. Silver, Elizabeth Cowling, and Dominique H. Vasseur. Picasso: The Great War, Experimentation, and Change. New York, NY: Scala, 2016Shields, Chris. "A New Model." Art & Antiques, (Nov. 2016): 70-77. Reproduced: p. 77Berggruen, Olivier. Picasso: tra cubismo e classicismo: 1915-1925. Milano : Skira, 2017. Reproduced: P. 105, pl. 5Berggruen, Olivier, ed. Picasso: Between Cubism and Classicism 1915-1925. Milano, Italy: Skira, 2017. Reproduced: P. 105, no. 5Robinson, William H. "Harlequin with Violin: A new take on Picasso's mysterious painting.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 57, no. 4 (July/August 2017): 16-17. Reproduced: P. 16; Mentioned: P. 17.Henning, Edward B. Fifty Years of Modern Art, 1916-1966. Cleveland, OH: Cleveland Museum of Art, 1966. Reproduced: no. 9
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- {{cite web|title=Harlequin with Violin|url=false|author=Pablo Picasso|year=1918|access-date=29 April 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1975.2