The Cleveland Museum of Art

Collection Online as of April 18, 2024

Oedipus at Colonus

Oedipus at Colonus

1798
(French, 1778–1805)
Framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); Unframed: 157 x 134 cm (61 13/16 x 52 3/4 in.)

Did You Know?

Fulchran Jean Harriet died young at age 29, and less than 10 of his works survive today.

Description

The ancient mythical Greek king Oedipus fulfilled his fate by unknowingly killing his father and marrying his mother. He subsequently blinded himself and was exiled. Here, Oedipus reprimands himself, while protecting his daughter Antigone. Oedipus became popular in France just after the French Revolution, since the subject addressed the return of exiles. The ancient Greek writer Sophocles provided the best-known version of the tragedy, but an interpretation that played in Paris in 1797 inspired Harriet’s work.
  • 2002-
    The Cleveland Museum of Art, Cleveland, Ohio
    Probably 1966 - 2002
    Foucart collection, Paris, sold to the Cleveland Museum of Art
    Until 1966
    (Art market, Paris)
    Provenance Footnotes
    1 It can reasonably be assumed that it was Foucart who purchased this painting on the Paris art market in 1966, although the de David à Delacroix exhibition catalogue does not explicitly state that it was the present owner - whom we know from James Rubin's 1973 article to be Foucart - who purchased it in 1966.  
    2 The 1974-1975 exhibition de David à Delacroix, held at the Grand Palais, notes that the painting had been purchased on the art market in Paris in 1966.
  • Rubin, James H. “Oedipus, Antigone and Exiles in Post-Revolutionary French Painting.” Art Quarterly 36 (Fall 1973): 141–71.
    James H. Rubin, email to Victoria Sears Goldman, Jan. 28, 2014, in CMA curatorial file.
    Grand Palais. De David à Delacroix: la peinture française de 1774 à 1830. Paris: Editions des Musées Nationaux, 1974.
    Korchane, Mehdi. Pierre Guérin, 1774-1833. Paris: Éditions Mare & Martin, 2018. Reproduced; p. 66, #44
    Korchane, Mehdi. Figures de l'exil sous la Révolution: de Bélisaire à Marcus Sextus. Vizille: Musée de la Révolution française; Grenoble: Département de l’Isère, Patrimoine en Isère, 2016. p. 64-65 Reproduced: p. 64 Mentioned: p. 65
    Milesi, Silvana. Il padre nell'arte e nel tempo. Bergamo : Corponove, 2020, 112. Reproduced and mentioned: p. 112.
    Provenance Footnotes
    1 It can reasonably be assumed that it was Foucart who purchased this painting on the Paris art market in 1966, although the de David à Delacroix exhibition catalogue does not explicitly state that it was the present owner - whom we know from James Rubin's 1973 article to be Foucart - who purchased it in 1966.  
    2 The 1974-1975 exhibition de David à Delacroix, held at the Grand Palais, notes that the painting had been purchased on the art market in Paris in 1966.
  • Artlens Exhibition 2019. The Cleveland Museum of Art, Cleveland, OH (organizer).
    Provenance Footnotes
    1 It can reasonably be assumed that it was Foucart who purchased this painting on the Paris art market in 1966, although the de David à Delacroix exhibition catalogue does not explicitly state that it was the present owner - whom we know from James Rubin's 1973 article to be Foucart - who purchased it in 1966.  
    2 The 1974-1975 exhibition de David à Delacroix, held at the Grand Palais, notes that the painting had been purchased on the art market in Paris in 1966.
  • {{cite web|title=Oedipus at Colonus|url=false|author=Fulchran Jean Harriet|year=1798|access-date=18 April 2024|publisher=Cleveland Museum of Art}}
    Provenance Footnotes
    1 It can reasonably be assumed that it was Foucart who purchased this painting on the Paris art market in 1966, although the de David à Delacroix exhibition catalogue does not explicitly state that it was the present owner - whom we know from James Rubin's 1973 article to be Foucart - who purchased it in 1966.  
    2 The 1974-1975 exhibition de David à Delacroix, held at the Grand Palais, notes that the painting had been purchased on the art market in Paris in 1966.

Source URL:

https://www.clevelandart.org/art/2002.3