Artwork Page for Nymphs and a Satyr (Amor Vincit Omnia)

Details / Information for Nymphs and a Satyr (Amor Vincit Omnia)

Nymphs and a Satyr (Amor Vincit Omnia)

c. 1625–27
(French, 1594–1665)
Measurements
Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)
Credit Line
Public Domain
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After arriving in Rome and experiencing financial instability, Nicolas Poussin turned to painting more popular, lucrative mythological scenes, such as those depicting nymphs and satyrs.

Description

Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts. Here, a playful cupid tugs Pan, the goatlegged Greek god of the woods, toward Venus, the goddess of love. The painting cleverly illustrates the Latin phrase amor vincit omnia, or “love conquers all” (in Greek, pan means “all”). The woodland setting represents the idyllic paradise of Pan’s home.
A horizontally oriented oil painting depicts figures in a wooded landscape. On our left, a reclining nymph with light skin rests near a spilled vessel. In the center, a kneeling satyr with goat legs and a medium skin tone reaches toward a winged child. On our right, a nude woman with light skin sits on red cloth beside another child, turning toward the center. Dark trees dominate the left, while billowy clouds fill the sky.

Nymphs and a Satyr (Amor Vincit Omnia)

c. 1625–27

Nicolas Poussin

(French, 1594–1665)
France, 17th century

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