Artwork Page for Adoration of the Magi

Details / Information for Adoration of the Magi

Adoration of the Magi

1500s
(Italian, c. 1488–1576)
Measurements
Framed: 168 x 250 x 14 cm (66 1/8 x 98 7/16 x 5 1/2 in.); Unframed: 134.5 x 217 cm (52 15/16 x 85 7/16 in.)
Public Domain
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Location
Not on view
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Did You Know?

This painting is filled with naturalistic details such as the riders who struggle to keep their horses and mules still and a small dog who urinates on a beam.

Description

Is this painting by Titian?

Titian, the celebrated and prolific 16th-century Venetian artist, and his large workshop painted several versions of this subject. Further research is needed to compare this painting with versions in Milan and Madrid to determine how much of each is by Titian himself, as opposed to being the work of his studio assistants. The Prado Museum in Madrid is often considered to have a copy made from Cleveland’s painting, which is superior in execution but not condition. Despite the damage caused by overcleaning, there are many fine passages, including the bowing white horse, his groom in shadow, and the cradled Christ child.
A horizontally oriented oil painting with brushy, expressive strokes depicts the Adoration of the Magi in a stable. On the left, the Virgin Mary in a blue robe holds the nude baby Christ. Three Magi with light, medium, and dark skin tones kneel and present golden containers. To the right, a retinue of men and horses gathers with a white horse. Above, a single star pierces a turbulent, cloudy sky; below, a small white dog.

Adoration of the Magi

1500s

Titian, Workshop

(Italian, c. 1488–1576)
Italy, 16th century

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