Artwork Page for Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

Details / Information for Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

1458
(Italian, c. 1406–1469)
Measurements
Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.)
Credit Line
Public Domain
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Saint Michael's opulent appearance reflects the wealth and status of both the patron and the recipient of these paintings.

Description

These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’ Medici of Florence commissioned the ensemble in 1457 as a diplomatic gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword, shield, and exquisitely bejeweled armor celebrate his role as heaven’s defender against evil.
A vertically oriented tempera painting on two arched wood panels depicts St. Anthony Abbot and Archangel Michael kneeling on flowered ground against pink walls. Both have light skin and gold halos. On our left, St. Anthony, an elderly man with a white beard, holds a wooden staff. On our right, the winged Michael wears ornate armor and a red cap, holding a sword and a shield featuring a red cross.

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

1458

Fra Filippo Lippi

(Italian, c. 1406–1469)
Italy, Florence, 15th century

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