Otto H. Bacher

Cleveland-born and New York City-based Otto Bacher painted July during a visit to East Hampton, Long Island, NY. The sun-dazzled composition features a nude model seated upon a lawn. Her name was not recorded.

Etchings by Otto H. Bacher. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1921).

Etchings by Otto H. Bacher

Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).

Year in Review: 1967

American Impressionistic Painting. National Gallery of Art, Washington, DC (organizer) (July 1-August 12, 1973); Whitney Museum of American Art, New York, NY (September 18-November 12, 1973); The Cincinnati Art Museum, Cincinnati, OH (December 15, 1973-January 31, 1974); North Carolina Museum of Art, Raleigh, NC (March 8-April 29, 1974).

American Impressionistic Painting

Currents of Expansion: Painting in the Midwest, 1820 - 1940. Saint Louis Art Museum, St. Louis, MO (organizer) (February 18-April 10, 1977).

Currents of Expansion: Painting in the Midwest, 1820 - 1940

American Impressionism. Henry Art Gallery, University of Washington, Seattle, WA (organizer) (January 3-March 2, 1980); Frederick S. Wight Art Gallery, UCLA, Los Angeles, CA (March 9-May 4, 1980); Terra Museum of American Art, Evanston, IL (May 16-June 22, 1980); The Institute of Contemporary Art, Boston, Boston, MA (July 1-August 31, 1980).

American Impressionism

New York, Sixteenth Exhibition of the Society of American Artists (1894).

Buffalo, Pan-American Exposition (1901) cat. no. 256, listed p. 24, under title July.

San Francisco, Palace of Fine Arts, Panama-Pacific Internation Exposition: Department of Fine Arts (1915), cat. no. 2619, listed p. 285.

New York, The Walpole Galleries, Exhibition and Sale of Paintings of the Late Otto H. Bacher (13, 22-23, January 1917), cat. no.25; listed p. 7.

Washington, D.C., The Corcoran Gallery of Art, Commemorative Exhibition by Members of the National Academy of Design, 1825-1925 (17 October-15 November 1925); traveled to New York, The Grand Central Art Galleries (1 December 1925-3 January 1926), cat. no. 187; title given: Figure in Sunlight.

Washington, National Gallery of Art, American Impressionist Painting (1 July-26 August 1973); traveled to New York, The Whitney Museum of American Art (18 September-2 November 1973); to Cincinnati, Cinncinnati Art Museum (15 December 1973-31 January 1974); to Raleigh, The North Carolina Museum of Art (8 March-29 April 1974); cat. no. 2, illus. p. 54.

St. Louis, The St. Louis Art Museum, Currents of Expansion: Painting in the Midwest, 1820-1940 (18 February-10 April 1977), cat. no. 75, illus. p. 37.

Seattle, Henry Art Gallery, University of Washington, American Impressionism (3 January-2 March 1980); traveled to Los Angeles, The Frederick S. Wight Gallery, University of California at Los Angeles (9 March-4 May 1980); to Evanston, IL, The Terra Museum of American Art (16 May-22 June 1980); to Boston, The Institute of Contemporary Art (1 July-31 August 1980); no cat. number, illus p. 24 in section 3 entitled "Landscape and Light in American Painting of the 1880's."

Cleveland, One Cleveland Center Gallery, The Cleveland Museum Presents Four Cleveland Artists: George Adomeit, Otto Bacher, Frederick Gottwald, and Walter Sinz (15 October-2 November 1984).

Madison, WI, Madison Art Center, The Seasons: American Impressionist Painting (8 December 1984-2 February 1985), cat. no. 1, not illus.

Jacksonville, Fl, The Cummer Gallery of Art, Artistic Transitions: From the Academy to Impressionism in American Art, Twenty-Fifth Anniversary Exhibition (24 October 1986-11 January 1987), cat. no. 1, illus. p. 18.

Cleveland, The Cleveland Museum of Art, Fraternité: Artistic Relations between France &amp; America (21 July-18 October 1987), no catalogue.

A vertically oriented oil painting, with dappled sunlight creating a soft mosaic of blue and pink patches, depicts a nude woman with a light skin tone. She sits in textured grass, leaning back on her hands with her body angled left as she looks toward us. Her dark, curly hair frames her face while her legs extend into the foreground among several small pinecones scattered across the sun-drenched, impressionistic field.

July

Otto H. Bacher

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July

Otto H. Bacher

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July

Otto H. Bacher

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July

Otto H. Bacher

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