Artwork Page for Adoration of the Shepherds

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Adoration of the Shepherds

c. 1670
(Italian, 1616–1687)
Measurements
Framed: 108 x 90.2 x 7.7 cm (42 1/2 x 35 1/2 x 3 1/16 in.); Unframed: 88.6 x 70.5 cm (34 7/8 x 27 3/4 in.)
Public Domain
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Location
Not on view

Description

The historical significance of the Baroque painter Carlo Dolci, a precocious artist whose skill was recognized early by the leading Florentine patrons of his time, is often diminished due to his traditionalist compositions. Having gained local reputation as a talented portraitist and painter of religious narrative, Dolci's anti-Mannerist technique dismissed many of the leading Baroque trends as superfluous, retaining an unobtrusive and placid style in the manner of those before him. Having been a devout follower of the brotherhood of St. Benedict, Dolci draws upon a strict Christian iconography in his depiction of the shepherds' witness account of the birth of Christ. --Charles Eppley (January 2009)
A vertically oriented oil painting with soft brushstrokes depicts the Virgin Mary, Joseph, and infant Christ with light skin. Mary, in red and blue, looks at Christ in a manger. Joseph rests his head on his hand on our left. Thin gold halos float above their heads. Two shepherds approach from our right; one kneels with a basket, another carries a lamb. Winged child figures fill dark clouds with touches of golden light.

Adoration of the Shepherds

c. 1670

Carlo Dolci

(Italian, 1616–1687)
Italy, 17th century

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