Artwork Page for Scenes of Witchcraft: Night

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Scenes of Witchcraft: Night

c. 1645–1649
(Italian, 1615–1673)
Measurements
Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)
Public Domain
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Did You Know?

The artist chose the painting's shape to reference the foundational role of the circle in practicing magic.

Description

In the pitch black of night, two groups of men are gathered in a forest. To the left, travelers apprehensively pause to watch a magician conjure terrifying apparitions. Since the Middle Ages, necromancy, the act of communing with the dead, was associated with male sorcerers. In Rosa's painting, the wizened necromancer who stands tall and resolute directly below a classical column is reminiscent of Moses, a predecessor to Renaissance depictions of sorcerers. Rosa's learned magicians not only invoke associations with philosophers and intellects, but they would have also referred to the artist himself and the intellectual elite with whom he associated in Florence. Just as a powerful magician could conjure strange creatures with his wand, so too could Rosa shape a strange world with his originality, intelligence, and the skillful use of paint and brush.
A circular oil painting depicts a dark nocturnal landscape. On our left, two armored figures, one in a red garment, sit atop a white horse beside a donkey. In the center, three figures gather near a fire and an overgrown column. One man raises a rod toward a hanging skeleton and winged monsters on our right. In the foreground, a shovel rests near a fire beneath a pale moon and dark silhouettes of spindly trees.

Scenes of Witchcraft: Night

c. 1645–1649

Salvator Rosa

(Italian, 1615–1673)
Italy, 17th century

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